Kristofer Dahl6th July 2017Very cool patterns Dallton!
Gabriel Leopardi7th July 2017Keep these great licks coming!
Dallton Santos7th July 2017Thanks Kris!
It´s awesome to share exercises that helped me to develop skills. Hope everyone makes progress with this lesson! :-)- Dallton Santos7th July 2017
Thank you Gabriel! I´m your fan ,,/
MonkeyDAthos19th July 2017Awesome lesson!
Will be useful for sure.
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Technique Exercises 2
left hand dexterity , one finger per fret approach , right hand thumb positioning , right hand alternate picking, right hand mutingby Bogdan Radovic - Difficulty2
Technique Exercises 1
left hand dexterity , one finger per fret approach , right hand thumb positioning , right hand alternate picking, right hand mutingby Bogdan Radovic - Difficulty4
Technique Exercises 4
left hand dexterity , one finger per fret approach , right hand thumb positioning , right hand alternate picking, right hand mutingby Bogdan Radovic - Difficulty3
Technique Exercises 3
left hand dexterity , one finger per fret approach , right hand thumb positioning , right hand alternate picking, right hand mutingby Bogdan Radovic - Difficulty5
- Difficulty1
- Difficulty3
Slap Bass Exercises 2
left hand slap, slap bass, exercises , muted thumb , left hand mutingby Bogdan Radovic - Difficulty3
- Difficulty2
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Hello friends! Dallton Santos here.
In this lesson I will show some exercises and ideias that I usually do with hybrid picking.
You can use it on grooving riffs, clean arpeggios and solos.
The technique sounds so cool and can be used in all styles.
Hope that this lesson can help you with good ideas in your playing.
Technical specifications
Guitar: Ibanez RG652AHM
Strings: Ernie Ball 0.09
Plug ins: Guitar Rig / Addictive Drums
Recording SW: Nuendo a
Halt tone down tuning: Eb, Ab, Db, Gb, Bb, Eb
Time signature: 4/4
CHECK OUT MY OTHER LESSONS:
Modern Rock Fusion Soloing
Alien Patterns
Outsides-Fusion Concepts
Atonal Chalenge
Tapping Mirror-Shapes
Neoclassical Approaches
String Skipping Arpeggios Substitutions
Rock Fusion Outside Lick
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