Kristofer Dahl5th November 2010Very inspiring hybrid patterns Stephane!
NoSkill5th November 2010Awesome, Stephane! I've been avoiding hybrid picking for some reason. This will be a very good exercise to dive right in with some usable licks.
Zsolt Galambos5th November 2010I really like the way these licks sound
Might give it a try myself someday 
Adrian Figallo5th November 2010very nice licks man!
Stephane Lucarelli6th November 2010Thanks guys!
Ivan Milenkovic6th November 2010Great licks, these are very useful for connecting various themes inside the solo.
Juan Cortes7th November 2010Great lesson Stephane!!!
Lian Gerbino8th November 2010love it man!!! very useful stuff!
- Stephane Lucarelli9th November 2010
Thanks guys!
Ben Higgins12th November 2010Very cool Stephane, I'm going to have to give these licks a go !! :-)
Jerry Arcidiacono25th November 2010Groovy licks. Well done!
- Stephane Lucarelli25th November 2010
Thanks Jerry!
myhandyman2nd April 2013great stuff, i can see where this is going and like it!
Cosmin Lupu2nd April 2013Hey man, glad you like it! Stephane isn't around anymore, but you can tell me if you need to know stuff about this lesson
- myhandyman2nd April 2013
This is a favorite exercise, just wanted to know if the tab .third measure from the bottom.. the B string 7 to th 9 is correct? tia, john
- Cosmin Lupu3rd April 2013
Hello John! It's 7 to 8 - as in the rest of the bar, we use the G note (8th space, B string)
- myhandyman26th April 2013
great exercise and cool (fusion) licks? anyway, good bookmark..thank for sharing
- Cosmin Lupu26th April 2013
Hey mate, glad you liked it
- myhandyman13th December 2014
i enjoy this everytime,, great practice
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Hi GMC'ers! In this lesson we'll take a look at some ways and ideas to apply the hybrid picking technique to lead playing. We'll combine two techniques: hybrid picking and legato. I've focused on some lines involving the minor pentatonic, the major scale, and some arpeggios sequences. As always, if you're not comfortable with the hybrid picking technique, play the lines very slow with a metronome.
Try and apply these exercises/phrases all over the neck, throughout the arpeggios, in the different positions of the G major scale, and in others keys.
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