Kristofer Dahl29th July 2010Beautiful Attila - I love how it explodes at the end! Great way to introduce Hungarian folk song music to the world! =D
Zsolt Galambos29th July 2010Great explosion of emotions, a brilliant cover, man!
Bogdan Radovic29th July 2010Great lesson Attila!
Dejan Farkas29th July 2010I like it
Lian Gerbino29th July 2010cool melody man
thefireball29th July 2010Dude! that was awesome! I thought at first - ah easy - until the end! Hehe! That was so cool that I listened twice!
Adrian Figallo29th July 2010wow attila, amazing.
Daniel Realpe30th July 2010really tasty phrasing and tone! nice one!
guitar5730th July 2010Hello Mr Voros ! Beautiful song and amazing harmony! Many Thanks!
playaxeman30th July 2010very surprising!!
Loved the end great technique, control and emotion brilliant
Piotr Kaczor2nd August 2010Fantastic and beautiful, Attila! I'm going to Hungary (like every year) in mid August, so I hope that I'll meet some Hungarian folklore, and jam with my friend (also Attila)
Todd Simpson2nd August 2010Another KILLER lesson! Thrilled to have you here on GMC! You RAWK!
Vasilije Vukmirovic2nd August 2010Beautiful!
Attila Voros2nd August 2010Dear Piotr,
LEt me know if Ur here, so we might can jam somehow! It'd be really cool!!!
Also thank You guys again for Your kindness!
Cheerio
Sergio Dorado3rd August 2010Very expresive. Great!
Ivan Milenkovic5th August 2010Excellent solo, love the tone control here!
Christophe29th August 2010Very inspiring Attila
This sound with much feeling !
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German Christmas Song
slide, phrasing, bending, vibrato, x-mas, Neal schon, jeff beck, solo, legato, staccatoby Guido Bungenstock - Difficulty4
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Variation to a Hungarian folk song – in Bb minor
This little piece has been recorded for a friend of mine, Leander Köteles's new song. The main melody is a classic Hungarian folk song (Madárka-madárka) with a little variation at the end (which is half improvised-half written). I played this tune on a seven string but it can be played on a 6 string easily (I tabbed both).
It is important to know that we recorded everything live (piano and guitar at the same time), and we did not use the metronome for the „better vibe”. I would suggest You to practise everything separately first and than try to play along with the backing tracks. Try to observe the little nuances/details like the pickup switching at the end of the arpeggio and the phrases etc.
I hope You’ll have fun with it!
Techniques/scales:
Slides
Vibratos
Bendings
6 or 7 string arpeggios – sweeps
Legatos
Hammer-ons
Pull-offs
Pinch harmonics
Chromatic scales
B minor arpeggio
Pickup switchingCheerz!
Attila
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