Kristofer Dahl12th March 2013Incredible André - this is so fresh and expressive.
Sinisa Cekic12th March 2013Wow , pure art, awesome lesson
Bogdan Radovic12th March 2013Amazing lesson - love the groove in the string skipping parts!
Darius Wave12th March 2013This is so sick Andre! Killer harmonic concepts + Mark Knopler and John Scofield on Steroids!
Nava12th March 2013Incredible!!
Maybe I can do the last 3 seconds of it
Javier Aviles12th March 2013Reminds me of my admired Allan Holdsworth phrasing. Great Andre.
Piotr Kaczor14th March 2013Amazing playing, Andre!
waynedcoville15th March 2013this is the kind of jazz that William Burroughs shot junk to. just too cool for words. also, great guitar!
Cosmin Lupu15th March 2013Dude, this is a hell of a lesson! Hats off to you!
- Radioactivebuny28th March 2013
"But this one goes to 11."
derper3rd April 2013WHOA!!
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7 Modes of Melodic...
modes, Melodic minor, scale licks, rock fusion, fusion, rock, phrasing, scott hendersen, tom quayle, martin miller, joe passby Guido Bungenstock - Difficulty5
- Difficulty4
- Difficulty5
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- Difficulty4
Jazz Notes 21: Minor...
Jazz Minor Blues, Melodic Minor, Blues, Altered, Superlocrianby Jerry Arcidiacono - Difficulty5
II-V-I Phrasing -...
Chords Shapes, Arpeggios, Sweep Picking, Alternate Picking, II-V-I, Major, Minor, jazz, fusionby Diego Budicin - Difficulty9
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Hello folks!
In this lesson I'll teach you some tricks and tips of the modes of the melodic minor scale.
Nowadays, this scale is primarely used in jazz/fusion, but some excerpts of it can be found in other styles as well, such
as prog rock, country, funk, samba etc.
The melodic minor scale can be noted as:
R 2 b3 4 5 6 7
I like to face it as a dorian mode with the natural 7th in the place of the b7.
The modes are as follows:
1) Melodic Minor scale by itself - R 2 b3 4 5 6 7
2) Dorian(b9) or Phrygian 6 (also known as Phrygian #6) - R b2 b3 4 5 6 b7
3) Lydian(#5) - R 2 3 #4 #5 6 7
4) Mixolydian(#4) - R 2 3 #4 5 6 b7
5) Mixolydian(b6) - R 2 3 4 5 b6 b7
6) Locrian 9 (also known as Locrian #9) - R 2 b3 4 b5 b6 b7
7) Altered scale - R b2 b3 b4 b5 b6 b7
Chord progression
| Am7/9 | % | Dm7/9 | % |
|Bø9 | E7 alt | Am7/9 | % |
| F#7(#11) | % | Fmaj7/9 | % |
| Bø9 | Ealt7 | Am7/9 | Ab7/9/13 |
| Gm7/11 | % | F#maj7(#11) | D#m7/9 |
| Em7/9 | C#alt | F#13 F#(b13) | Bsus Csus |
| Amaj7/9 | % | Dmaj7/9 | % |
| Bm7/9 | Bb7/9/13 | Am7/9 | Ab7/9/13 |
| Gmaj7/6/9 | % | Cm7/G | % |
| Fm ma7/Ab | Abm ma7/Cb | Bm maj7/D |
The solo is about 90% played with the melodic minor scale, so it's an excelent way to learn more about the scale and get used to its sounds!
Hope you like it!
Tuning: Standard
Key: The first bars are basically in Am, but then it goes to extreme modulations.
Gear: Dreamer TL, Bogner Shiva EL34, Maxon OD9, Apogee Duet2, Logic Pro 9.
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