Really cool intervals and patterns Christian!
Impressive! Makes me wanna grab my guitar and learn it
fantastic tapping here, awesome lesson
Awesome techniques and cool progression !
amazing christian!, reminds me somehow to van halen two hands tapping
awesome man! well done
Great technique workout Christian!
Great playin' man, very well done!
Sounds awesome man, great stuff
Nice job man. Well done
Sounds like strings, awesome, very clean and tasty!
thanks guys, I really appreciate your comments!!
Wow! This sounds great! Great harmonic progression! Though, I find that a Les Paul makes 8-finger tapping a bit difficult, because of the switch position
thanks Aleksander!, and, about the switch position, you're absolutely right!! that's why most of the times I play tapping using the neck position(it's a good think I like that sound)
Great tapping!. Very useful licks for mastering this technique. Nice work Christian!
Van Halen on steroids! love it!
Hi GMC ! this is another tapping lesson and it's based on these chord progression:
This is mostly a two notes per string Lick, one note with each hand, except for the last two bars, where it becomes a 4 notes per string, two notes per hand.
Let’s take a look e.g at the first bar:
The easy thing would be that the right hand is imitating the movements of the left hand, the first note is: C (4ht string 10th fret index finger, left hand), 2nd note: F(4th string 15th fret index finger, right hand), 3rd note: G (3rd string 12th fret middle finger, left hand), 4th note: C (3rd string 17th fret middle finger,right hand), 5th note: C (2nd string 13th fret ring finger, left hand), 6th note: F(2nd string 18th fret ring finger, right hand) it continues like that till the last two bars, there will be also a kind of imitation. Two notes with right hand, fingers 1 and 4, then we’ll play two notes with left hand,fingers 1 and 4.
As always, try it first slowly, with a metronome, and increase the Speed gradually. And when you tap with your left hand, be careful not to produce any unwanted noise.