Swing Modulations

by Vasilije Vukmirovic

Lesson step:

  • main
  • 1
  • Members only2
  • Members only3
  • Members only4
  • Members only5
  • Members only6
  • Difficulty: 4
Scrubbing / forward / rewind: arrow right, arrow left keys
Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End. ( iOS: swipe right or left over video )
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
  • Lesson
  • My notes
  • Statistics

  • Hi GMC!

    In this example I will demonstrate how modulations can be used instead of regular chord changes, how changing tonality instead of harmony can be very effective and useful.
    We have two basic chords Dmaj7 and Dmin7, and at the end a four chord sequence, Bmin7, E9, Amin7, D7-9. Both Dmaj7 and Dmin7 are approached in traditional way, D major over Dmaj and Dmin/pentatonic over Dmin7.
    In the last four chord sequence I used simple arpeggios to approach harmony, and over D7-9 I played D# melodic minor which is typical jazz "move".

    Enjoy!

    Regards!
    Vasilije Vukmirovic

    -
    -

  • Login to use my notes. No GMC account? Register here.
  • Members practicing this lesson

    REC Takes

      This lesson does not have any REC takes yet.
      Here is how to submit one.

    Lesson views

    • Total views: 0
    • Member views: 0
    • Guest views: 0