Alex8718th October 2008Great lesson Ian.
Kuba Szafran18th October 2008Great song and awesome lesson Ian:)!
mattacuk18th October 2008Worldclass peformance there Ian
berko18th October 2008I was desperately waiting for this... I simply fell in love with the chord progression at first listen
Thanx
fkalich18th October 2008Either you are playing a very tiny guitar, or you have the longest fingers I have ever seen. Must be nice. I was once told that a lot of compositions have occurred because the composer had hands that were physically exceptional, so they could do something unique, thus an original composition came about. Also great tune there.
Piotr Kaczor18th October 2008This song rocks! Great Ian!
Ian Bushell18th October 2008Cool:) Thanks for the feedback. Let me know if you have any questions!
Emir Hot18th October 2008Very cool and modern sounding stuff. Well done
Bogdan Radovic18th October 2008Great song ! Love it!
Muris Varajic18th October 2008Great playing Ian!
- Ian Bushell18th October 2008
Thanks for the comments guys:)
Either you are playing a very tiny guitar, or you have the longest fingers I have ever seen. Must be nice. I was once told that a lot of compositions have occurred because the composer had hands that were physically exceptional, so they could do something unique, thus an original composition came about. Also great tune there.
lol! You should see my toes!! Just kiddin haha
It is a new ESP same as the other one, this one has ashwood and mother of pearl trimming. I'm sure it's normal size:p
You joke! I have a friend who does some of his session work on a minature fender.
He's done a couple of live shows with it too lol! Catches everyone by surprise including the band.
Hand or finger size/length shouldn't affect your playing to much. I do agree that certain physical aspects could influence a composition.
Everyone is capable of a unique composition though no matter what
Glad you enjoyed the tune:) 
Fran18th October 2008Again, an awesome lesson, but above all an amazing song Ian!, so good
Pedja Simovic18th October 2008Excellent Ian!
Nazgul18th October 2008That's a great song. You rock, Ian!
Noangels18th October 2008great licks in this,man that last section number 6 was rock hard:p cheers for uploading this:)Good fun watching you play here
chmilew18th October 2008That's amazing Ian, I love your style !
Gabriel Leopardi18th October 2008This is excelent! Amazing guitar work. There isn't two many instuctional stuff in this style and you are doing a great job Ian!
Hisham Al-Sanea18th October 2008very welldone Ian.nice riff
Jose Mena19th October 2008Awesome song Ian
Pitch_Black19th October 2008Sounds like Breaking Benjamin only better!
Jerry Arcidiacono19th October 2008This is really a great song
kaznie_NL19th October 2008Wow, cool lesson Ian
- Ian Bushell19th October 2008
Thanks alot! I'm really glad you've enjoyed the lesson and song:)
There is an mp3 available for download right here on the forum:
https://www.guitarmasterclass.net/guitar_fo...mp;#entry246526Again, an awesome lesson, but above all an amazing song Ian!, so goodThat's a great song. You rock, Ian!Great song and awesome lesson Ian:)!This song rocks! Great Ian!QUOTE ([email protected] @ Oct 18 2008, 10:30 PM)This is excelent! Amazing guitar work. There isn't two many instuctional stuff in this style and you are doing a great job Ian!
Thanks alot Gabriel, really appreciate that:)
Will keep 'em coming!QUOTE ([email protected] @ Oct 19 2008, 04:28 AM)Sounds like Breaking Benjamin only better!
Wow! Thanks:D! I am busy with an in the style of Breaking Benjamin:)
Hope you enjoy that one too.great licks in this,man that last section number 6 was rock hard:p cheers for uploading this:)Good fun watching you play here
Thanks alot:) You can watch more here look for inersha stage cam: http://www.myspace.com/shredlikeian
or http://vids.myspace.com/index.cfm?fuseacti...ideoid=44426962 
Ivan Milenkovic19th October 2008Sounds very nice and heavy mate
Lian Gerbino20th October 2008Great song! I love it
- Ian Bushell20th October 2008
Thanks Ivan and Lian;)
- main
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Straight vs...
Rhythm, Phrasing, In class collaboration solo, Straight vs Syncopated, A min, B min7b5, E7, D min7, G7, Down beat, Up beatby Pedja Simovic - Difficulty4
4 Part Harmony Drop...
4 part harmony, Drop 2 voicings, chords, theory and harmony in G major, fingerstyle, 170bpm, 1st inversionby Pedja Simovic - Difficulty4
- Difficulty3
4 Part Harmony Drop...
4 part harmony, Drop 2 voicings, chords, theory and harmony in G major, fingerstyle, 190bpmby Pedja Simovic - Difficulty3
4 Part Harmony Drop...
4 part harmony, Drop 2 voicings, chords, theory and harmony in G major, fingerstyle, 170bpm, 2nd inversionby Pedja Simovic - Difficulty3
4 Part Harmony Drop...
4 part harmony, Drop 2 voicings, chords, theory and harmony in G major, fingerstyle, 170bpm, 3rd inversionby Pedja Simovic - Difficulty3
Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End. ( iOS: swipe right or left over video )
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
- Lesson
- My notes
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Hello again! Welcome to part 2 of Straight through the heart.
This part will cover the last riffs of the song. The lesson starts off with something familiar from the last lesson to get you going.
Use the videos and tabs together to see where the isolated riffs are played in the lesson. Fingerings and picking directions are included in the tabs.
Techniques used in part 2 include:
Alternate picking, String skipping and position shifts.
Backing tracks are available at different tempos with a full song jam loop and straight through the heart Mp3 to jam with. Hi-hat's have been put in the quieter bits of the track to help you keep time. All backing tracks have a one bar count in.
I used a multi-FX for this lesson as well. You'll need a clean tone with chorus/delay, and a dry main distortion.
Tuning for the lesson from low to high is B, F#, B, E, G#, C#
I used .11 gauge strings ideally replace the low string with a.56 gauge.
The Key of Straight through the Heart is E major we'll be using theis E major scale shape in part 2:
C#|----------------------------------|
G#|-------------------------10-12-13-|
E |----------------9-11-*12----------|
B |--------9-10-12-------------------|
F#|-*10-12---------------------------|
B |----------------------------------|
2 4 1 2 4 1 3 4 1 3 4
Tempo is 96 BPM. Time signature used for part 2 is 6/8.
Rock on!
Ian
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