ErikEklund1st January 2009Great lesson and very cool sound effects
Bogdan Radovic1st January 2009Cool lesson David !! Backing is awesome!
Ivan Milenkovic1st January 2009Very cool lines and effects David, rock on!
Jerry Arcidiacono1st January 2009Fusion sound! Great lesson David!
berko1st January 2009Your bass lines and the effects make me dizzy
. Wonderful lesson David!
Joe Kataldo1st January 2009Great mode to explore and lesson, what are that crazy sounds comes from
Nazgul1st January 2009Wow, the beginning sounds extraterrestrial.
Great one David!
David Wallimann1st January 2009Thanks everyone! The effects are from a free collection of Soundfount I found a while back...
Pedja Simovic1st January 2009I love Lydian Dominant David - great lesson!
Happy New Year and all the best man
Jakub Luptovec1st January 2009Great lesson:) Btw. doesnt the lydian mode actualy contain a augmented 4th? I also believe there is a typo at 2nd (Should be major)..
Sorry for nitpicking, but most of all, I am not sure myself - thats why I am asking- David Wallimann2nd January 2009Great lesson:) Btw. doesnt the lydian mode actualy contain a augmented 4th? I also believe there is a typo at 2nd (Should be major)..
Sorry for nitpicking, but most of all, I am not sure myself - thats why I am asking
You're right, the Lydian mode has an augmented 4th as well.
The only difference between the Lydian and Dominant mode is the 7th.
Lydian has a Major 7th, and Lydian Dominant a minor 7th.
Not sure where the typo is, the Lydian dominant does have a Major 2nd interval.. Isn't that what I wrote? 
Emir Hot3rd January 2009this is a very cool scale. Great job mate
Marcus Siepen3rd January 2009sounds awesome David
Dejan Farkas10th January 2009Cool
Pi3821st January 2009It would have been awesome if you'd tabbed the effects.
Great lesson!
BedroomBozo26th January 2009Sweet. Very Larry Lalonde! I have finally mastered all of it except for the sweeping at the end.
But I will have it down pat in a few more days. Thanks Walliman!
- David Wallimann26th January 2009Sweet. Very Larry Lalonde! I have finally mastered all of it except for the sweeping at the end.
But I will have it down pat in a few more days. Thanks Walliman!
Excellent!
I would love to hear your take on it!
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Jazz Notes 17:...
jazz, altered, ultralocrian, lydian dominant, mixolydian, bluesby Jerry Arcidiacono - Difficulty5
7 Modes in 7 Keys
modes, Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian, licks by Guido Bungenstock - Difficulty5
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Jazz Ideas
Ever Forthright, Lydian Dominant, Superimposing, Augmented Scale, progressive metal, jazz fusion, bebop, hybrid pickingby Nicholas Llerandi
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A Dominant scale is a scale that has a Major 3rd and a minor 7th. If we apply these 2 notes to any given mode, we'll make it a Dominant mode. Let's apply that formula to a Lydian scale. The regular Lydian scale is as follow:
Root-2nd-Maj3rd-4th-5th-Maj6th-Maj7th
As you can see, the 3rd is already Major. All you need to do to make the Lydian scale a Lydian Dominant scale is to alter its 7th to a minor 7th as follow:
Root-2nd-Maj3rd-4th-5th-Maj6th-min7th
Taking the Root, 3rd, 5th and 7th of the previous scale will tell us which chord to use the mode over. That will be a 7th chord, also known as the Dominant chord.
In today's lesson we'll explore that special mode over A7 and B7. The Lydian Dominant mode can really spice up your playing and make your leads sound a bit more interesting. Next time you improvise in a Mixolydian context, try to use the Lydian Dominant mode, you might fall in love with that scale!
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