Joe Kataldo9th August 2008Finally First! Nice Exercise
Bogdan Radovic9th August 2008Very good and useful lesson!
Juan M. Valero9th August 2008cool mate !!!
Lee Andrews9th August 2008hi, alejandro, first of all, thank you for this lesson, it's very helpful!
I really don't want to be unfriendly or snotty but could you tune your guitar correctly in the next lessons? I think it's one the most important things in giving lessons.
best wishes
Lee
Ian Bushell9th August 2008Great lesson man
Muris Varajic9th August 2008Great stuff Alejandro.
Pablo Vazquez9th August 2008As always, great lesson Ale!!!
Caelumamittendum9th August 2008Jazzylicious!
Nazgul9th August 2008Great chill-out stuff as always.
Trond Vold9th August 2008Nice one
Carlos Carrillo9th August 2008The jazz always was very difficult for my
I believe that it is a music style very difficult (my opinion), Thank you for this really important lesson!!!!
Vamos Ale!!!
Toni Suominen9th August 2008Great jazzy lesson dude!
bham9th August 20080_o
sounds in tune to me, man
Danilo Capezzuto10th August 2008Great and useful lesson!
Ivan Milenkovic11th August 2008Nice nice, very good exercises
Alejandro Pinero17th August 2008thanks all for the comments !!
- Alejandro Pinero17th August 2008
thanks all for the comments!!
Dejan Farkas19th August 2008Very nice
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Meet Me In...
allan holdsworth, chords, harmonized, hybrid picking, progression, outside, jazz, fusion by Juan Cortes - Difficulty3
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The Importance of...
breathing, fusion, improvisation, jazz, phrasing, silence, rests by David Wallimann - Difficulty6
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Minor II-V-I Fusion...
fusion, phrasing, Minor II V I Progression, harmonic minor, jazz fusion phrasingby Stephane Lucarelli
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Hi GMC! We are here again! In the other lesson we've worked with the II, V, I sequence, and we use the progression for improvisation work. Today we work with the same progression but now it's IIm7b5, V and Im7. This progression comes chords arise to the minor scale. This is the explanation to understand the IIm7b5, the V7 and the Im7.
In this lesson I bring to you an exercise to practice improvisation too, for that I recommend practicing the arpeggios very well for a better vision of the box in the neck like in the other lesson.
The idea is to playing eight using the mb5 arpeggios, 7th arpeggios and m7 arpeggios, going to the one chord to other chord connecting with the note nearly.
When I play the IIm7b5, in exercise I use the m7b5 arpeggio (root, minor third, dim fifth and minor seventh). When I use the V7, I play the 7th arpeggio (root, major third, just fifth and minor seventh), and when I play the Im7 I use the m7 arpeggio (root, minor third, just fifth and minor seventh).
Once you can play that, prove to play some phrases.
I recommend starting the exercise in different notes of the arpeggio!
I hope you like this lesson.
The sequence is IIm7b5 one bar, V7 one bar and Im7 two bars.
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