Kristofer Dahl17th November 2007Thanks David for providing such interesting theoretical approaches!
The Uncreator18th November 2007Very cool! love the funk sound!
IzzyCom17th November 2007Love ur lessons man!!
very tastefull!!
Unleash-The-Shred18th November 2007Great job on this lesson.
Mike Seddon17th November 2007Fantastic solo. Really well constructed for the listener. Now I need to test how it is for the player!!
Maximus18th November 2007Great!
Lester17th November 2007Good job David!!
i get to learn more and more about scales from you
Muris Varajic17th November 2007Great example of using both minor and major stuff together!!
Ben N18th November 2007great
- radarlove198418th November 2007
Thought this was an Aerosmith cover for a second! Great job. Can't wait to learn this one.
preownedguitar18th November 2007Ooo. I love it. Keep them comming!
Juan M. Valero18th November 2007Very usefull, thanks Wallimann !!
- EGMONT 19638th January 2008
salut david
comme d'habitude perfecto
dernier achat que je viens de faire ce jour, j'ai racheté un line6 ax2 212 avec floor board ,d'un ancien ami -quel ampli compliqué !!!
ca fait j en ai deux maintenant ,et je joue comme un pied
mais je m entraine tous les jours
malheureusement à mon age on a les moyens mais plus la rapidité -dommage-
mais je ne perd pas l'espoir ;;
a+ 
David Wallimann8th January 2008Ne perds pas courage mon pote, avec ta perseverence, tu vas progresser vite!
salut david
comme d'habitude perfecto
dernier achat que je viens de faire ce jour, j'ai racheté un line6 ax2 212 avec floor board ,d'un ancien ami -quel ampli compliqué !!!
ca fait j en ai deux maintenant ,et je joue comme un pied
mais je m entraine tous les jours
malheureusement à mon age on a les moyens mais plus la rapidité -dommage-
mais je ne perd pas l'espoir ;;
a+
Carlos Carrillo22nd February 2008Hey David!!!fantastic lesson!!!thanks
Melodicintenions4th April 2008great job and explanation
- main
- Members only1
- Members only2
- Members only3
- 4
- Members only5
- Members only6
- Members only7
- Members only8
- Members only9
- Difficulty: 5
- Difficulty5
- Difficulty6
Metallica "One"...
Metallica, James Hetfield, One, Kirk Hammett, Jason Newsted, Lars Ulrich, And Justice For Allby Zsolt Galambos - Difficulty6
Eight Fingers Over...
tapping, stanley jordan, pentatonic minor, eight fingersby Santiago Diaz Garces - Difficulty7
- Difficulty7
Killer Pentatonics:...
Zakk Wylde, blues, staccato, blues rock, hard rock, phrasing, alternate pickingby Mate Nagy - Difficulty4
- Difficulty8
Killer Pentatonics...
Zakk Wylde, Advanced, Heavy, Fast, Pentatonic, Licks, madness, Killer, alternate pickingby Mate Nagy - Difficulty7
Killer Pentatonics...
Doug Aldrich, Advanced, Heavy, Fast, Pentatonic, Licks, madness, Killer, alternate picking, legato, sixteenth triplets, by Mate Nagy - Difficulty6
Killer Pentatonics...
Richie Kotzen, Advanced, Heavy, Fast, Pentatonic, Licks, madness, Killer, alternate picking, legato, 32nd notes, blues, rockby Mate Nagy
Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End. ( iOS: swipe right or left over video )
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
- Lesson
- My notes
- Statistics
Playing a minor pentatonic over a dominant 7 chord is a great way to add a bluesy feel to an improvisation. The tension heard when playing a minor third over the major third of the track is what makes blues so interesting.
In the following lesson, I'll share with you a few tricks to blend these two scales together and create a smooth improvisation.
The track is in A7. Make sure you are comfortable with the different pentatonic boxes before you start using the examples in your own leads.
Enjoy!
Members practicing this lesson
REC Takes
Here is how to submit one.
Lesson views
- Total views: 0
- Member views: 0
- Guest views: 0