Kristofer Dahl17th November 2007Thanks David for providing such interesting theoretical approaches!
The Uncreator18th November 2007Very cool! love the funk sound!
IzzyCom17th November 2007Love ur lessons man!!
very tastefull!!
Unleash-The-Shred18th November 2007Great job on this lesson.
Mike Seddon17th November 2007Fantastic solo. Really well constructed for the listener. Now I need to test how it is for the player!!
Maximus18th November 2007Great!
Lester17th November 2007Good job David!!
i get to learn more and more about scales from you
Muris Varajic17th November 2007Great example of using both minor and major stuff together!!
Ben N18th November 2007great
- radarlove198418th November 2007
Thought this was an Aerosmith cover for a second! Great job. Can't wait to learn this one.
preownedguitar18th November 2007Ooo. I love it. Keep them comming!
Juan M. Valero18th November 2007Very usefull, thanks Wallimann !!
- EGMONT 19638th January 2008
salut david
comme d'habitude perfecto
dernier achat que je viens de faire ce jour, j'ai racheté un line6 ax2 212 avec floor board ,d'un ancien ami -quel ampli compliqué !!!
ca fait j en ai deux maintenant ,et je joue comme un pied
mais je m entraine tous les jours
malheureusement à mon age on a les moyens mais plus la rapidité -dommage-
mais je ne perd pas l'espoir ;;
a+ 
David Wallimann8th January 2008Ne perds pas courage mon pote, avec ta perseverence, tu vas progresser vite!
salut david
comme d'habitude perfecto
dernier achat que je viens de faire ce jour, j'ai racheté un line6 ax2 212 avec floor board ,d'un ancien ami -quel ampli compliqué !!!
ca fait j en ai deux maintenant ,et je joue comme un pied
mais je m entraine tous les jours
malheureusement à mon age on a les moyens mais plus la rapidité -dommage-
mais je ne perd pas l'espoir ;;
a+
Carlos Carrillo22nd February 2008Hey David!!!fantastic lesson!!!thanks
Melodicintenions4th April 2008great job and explanation
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Killer Pentatonics:...
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Killer Pentatonics...
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Playing a minor pentatonic over a dominant 7 chord is a great way to add a bluesy feel to an improvisation. The tension heard when playing a minor third over the major third of the track is what makes blues so interesting.
In the following lesson, I'll share with you a few tricks to blend these two scales together and create a smooth improvisation.
The track is in A7. Make sure you are comfortable with the different pentatonic boxes before you start using the examples in your own leads.
Enjoy!
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