Stratman5826th June 2007
Another fast one to help my alternate picking, thanks man!
The Uncreator26th June 2007Great Stuff man, it has a very Majestic feel to it, i love it!
stratman3327th June 2007Sweet!Nice lesson!
Xranthoius27th June 2007whoah
- Gustavo27th June 2007
como siempre, prua caldiad gabi XD
- Anastasio12327th June 2007
very nice, i havnt even tried the first one and this one blows me away...great lesson gabriel
jammer9127th June 2007Awesome, somehow you all your songs have a very motivation felling to it... Great JOB!!!
Yonrak27th June 2007Great lesson, and with abit of practice I should actually be able to pull this one off!!
Really helping my alternate picking, thanks
Ryan27th June 2007Whats great, is that i played along with Gabriel on the video to this lesson, but i played the first Power 1.
, its great you guys should try it out!!
Gabriel Leopardi28th June 2007That's a good idea Ryan! I will try this. It's nice to read that Jammer and Uncreator! Thank you all guys!
MegaJeff5th July 2007This solo is probably the reason i joined!
Cheers!
quebrado7th July 2007great man!!
funkymilk7th July 2007Nice lesson Gabriel!
XxLeviathanxX14th July 2007I love it.
PS- MegaJeff... no offence but I thought your avatar said Oprah on 1st glace.- odd egil15th July 2007
cool lesson!
krudtaa24th July 2007cool lesson man.......i dig it.
- jammer9130th July 2007
Im gonna learn this and make my friends jaw drop. I just started to realize that i needed to learn to solo and now this lesson is a mindblower. You probably heard this hundred times but, good job!
Smikey20064th August 2007My cup of tea right here. Could be my fav lession
- quebrado21st September 2007
nice lesson man;)
whats your band called?? 
Carlos Carrillo22nd February 2008Hey Gaby!!!nice lesson!!!great,great,great!!!
Danilo Capezzuto25th February 2008Great picking
Nick32515th June 2008awesome
- Tryton3rd July 2008
Great alternate picking practice...
Is it showing my lack of talent if I beg for a 110 bpm backing track..
Alexiaden931st May 2009Really cool !
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- Difficulty: 8
- Difficulty8
Heavy Funkin'...
paul gilbert, nuno bettencourt, extreme, funky rock, alternate picking, legato, tapping, tapped bends, sweep picking, palm muting, speed picking, heavy funky, 90s hard rockby Darius Wave - Difficulty9
Power Metal Soloing:...
Timo Tolkki, Yngwie Malmsteen, Power Metal, Neoclassical, Vinnie Moore, Stratovarius, Michael Romeo, Symphony X, alternate picking, 2 string sweeps, sweep pickingby Gabriel Leopardi - Difficulty8
Creative Pentatonic...
pentatonic scale, phrasing, metal, zakk wylde, hybrid picking, legatoby Fayeed Tan - Difficulty8
Heavy Funkin' Soloing
paul gilbert, nuno bettencourt, extreme, funky rock, alternate picking, legato, tapping, tapped bends, pinch harmonics, palm muting, speed picking, heavy funky, 90s hard rockby Darius Wave - Difficulty7
Soloing Over A...
Rock Blues, Ballad, Bending, Tapping, Alternate Picking, Eric Johnson, Andy Timmons, Guthrie Govan, Joe Satrianiby Diego Budicin - Difficulty8
Melodic Soloing:...
alternate picking, legato, vibrato, slide, bending, Vibrato bar, phrasing, rock, fusion, Steve Lukather, Jeff Beck, Jimi Hendrixby Guido Bungenstock - Difficulty8
Melodic Soloing:...
harmonic, bending, alternate picking, legato, vibrato, slide, bending, Vibrato bar, phrasing, rock, fusion, Steve Lukather, Jeff Beck, Andy Timmons, Dann Huff, Jimi Hendrixby Guido Bungenstock - Difficulty5
Drunk Blues Soloing
Blues, country, hybrid picking, alternate picking, groove, swing, Eric Johnson, Robben Ford, Alex Hutchingsby Diego Budicin - Difficulty4
Soloing Over A...
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- Lesson
- My notes
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Hi! This is the second part the solo. It’s isn’t necessary study the last lesson to begin this one. These are two different solos that could be play as one long solo.
This one is a bit more difficult and also sounds like Vinnie Moore’s compositions.
The technique that you should use in this solo is alternate picking. This means basically alternation between down and upstrokes. So this is a great lesson to warm-up and also to improve you right hand technique.
The most interesting thing of this kind of composition is how I choose the arpeggios notes of the progression’s chords. If you compose in that way, you can hear the chord progression when you play the solo without a backing track. Learning the triads of the progression’s chords and make improvisations just with triads is a good exercise to improve this.
Chord progression: Em – B – D –A – C – G – B – B
Tempo: 150 BPM
Key: Em
See you!
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