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- Triads in Major Scale Series - Part 2LEVEL 3In this 2nd part we will focus on 1st inversions of triads. We will use interval of diatonic 2nd as harmonizing tool.
- Triads in Major Scale Series - Part 1LEVEL 3In this 1st part of the series, we will focus on root inversion triads in major scale. We will use interval of diatonic 2nd as harmonizing tool.
- Triads in Major Scale Series - Part 3LEVEL 3In this 3rd part we will focus on 2nd inversions of triads. We will use interval of diatonic 2nd as harmonizing tool.
- Triads MelodyLEVEL 4This is an example of how to create a song using only chords and how to create a melody with those chord voicings.
- Mixolydian & TriadsLEVEL 4Spice up your phrasing with the mixolydian mode and the related diatonic triads and get between Blues and Fusion.
- Triads & CompingLEVEL 3Triads are very useful and ideal for comping - easy to finger, for chordal enrichment and great to create some melodic movement in your comping.
- Mixolydian TriadsLEVEL 3Let's apply Mixolydian triads to blues rhythm guitar.
- Open Triads in G Major Scale Series - Part 2LEVEL 3We focus on learning open triads and how to apply them in musical context. Harmonization technique using cycle 2 and 7 is applied through the series.
- Open Triads in G Major Scale Series - Part 3LEVEL 3Open Triads In G Major Scale Series - Part 3. 2nd inversion covered on string sets 642, 531 and 421.
Feedback
Melodicintenions4th April 2008good example of that picking style if you wanna Learn Excellence in the Style of Zakk Wylde Learn this for that sake
Carlos Carrillo6th March 2008great lesson david!!!!!!!!!!
beutifull sounds!!!!!!!!
thanks
David Wallimann17th February 2008Yes!
That's how it's done!
Mav3rd November 2007I have a question about the picking on this. Where you are playing two strings as a triad it looks like you may be playing one string with the pick and the other with your middle finger. Is this right ?
King_Dime2nd November 2007Great lesson, Thanks for the verbal explaination.Very helpful.Keep them coming.
quebrado24th October 2007yea man, awsome, i really need this;)
eddiecat24th October 2007The scale diagram is wrong.
The notes on the B string need to be shifted
one fret up...
Just so you know...
Cheers- eddiecat24th October 2007
Thank you David!
Another very useful lesson for us beginners!
It makes scale studying even more fun
and the explanation makes it easy to figure
out how to do the same on a minor scale.
Great lesson! 
Fuzzy Buzz Boy24th October 2007Excellent musicality. I love this type of stuff. Keep them coming!
Smikey200624th October 2007COOOOL
Andrew Cockburn24th October 2007Very melodic, loving the feel, and the maj9th chords in the backing!
Hisham Al-Sanea24th October 2007great lesson wallimann
krudtaa23rd October 2007Great lesson David. thanks.
Muris Varajic23rd October 2007Lovely thirds,delay,backing,everything!!
Great lesson David!!!
Kristofer Dahl23rd October 2007Great lesson - this will help people recognizing the intervals and start to include triads in their improvisations!
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- Lesson
- My notes
In today's lesson we'll discuss major triads. A triad is an interval. Playing with triads will allow you to build very melodic improvisation easily.
Make sure you memorize the different positions exposed in the licks and go from there.
The whole song is in E Major. Once you are comfortable with the different possibilities, play around with the backing tracks and improvise over them.
Have fun!
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