More
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- Swing CompingLEVEL 3Five swing comping patterns in Freddy Green style, featuring several techniques to approach to this style.
- Swing ModulationsLEVEL 4Using modulations in jazz soloing, blues scale application.
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- Latin Swing ThingLEVEL 4Swing tune using some latin rhythm shapes and harmonies, application on chord substitution min9 instead of dominant 7#9.
- Swing-Jazz-BluesLEVEL 6In this lesson we will discuss basics of Swing-Jazz-Blues!
- Pentatonic Shred LicksLEVEL 7This lesson includes some Pentatonic minor and Chromatic note licks in the style of John Petrucci, Zakk Wylde and Steve Morse.
- 5/4 G Slide RockLEVEL 6Here a song composed to teach you how to apply the Slide technique, with standard tuning, on a classic rock theme and 5/4 beat.
Feedback
Jerry Arcidiacono12th August 2009Very nice licks. It's very important to improvise over different time signatures as well.
Emir Hot10th August 2009This is really cool Vasilije. Nice groove and solo
Vasilije Vukmirovic10th August 2009Thanks guys! Sorry for not responding this long
ItsMe10th August 2009very nice
Janos Kallai8th August 2009Great jazzy lesson.
Zsolt Galambos8th August 2009Great licks, sounds very interesting! Awesome job man
Laszlo Boross7th August 2009Great jazz licks Vasilije!
Piotr Kaczor7th August 2009Great lesson! Excellent licks, Vasilije!
Bogdan Radovic7th August 2009Cool licks Vasilije! Very smooth sounding!
Jesse7th August 2009No Kaz, this sounds Junky or Zunky!
Muris Varajic7th August 2009Cool licks and rhythm Vasilije.
mariemusic7th August 2009I like your guitar too
- mariemusic7th August 2009
Excellent ideas like always Vasilije! One of my favorites teacher
kaznie_NL7th August 2009Cool use of the rhythm, sounds very.... jazzy, funky?
Gerardo Siere7th August 2009Very nice material for soloing, thanks.
Ivan Milenkovic7th August 2009Great sequences Vasilije, very useful additions to spice up the solos
Sensible Jones7th August 2009Great Lesson Vasilije!! Very interesting!!
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- Lesson
- My notes
Hi GMC!
In this lesson I demonstrated playing over unusual time signature, although phrases are not organized in strictly 5/4 manner. Using different note accenting, 5/4 feel is achieved, which means that you don’t have to organize your playing in mathematical order, you can just play through. I used G and A# minor pentatonics with lots of string skipping, those pentatonic scales can be viewed as minor 7 arpeggios as well.Enjoy!
Regards!Vasilije Vukmirovic
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