First comment! Sounds realy nice Vinod!!

I think this is a great piece played by a great player

I really like this piece , its one of my favorite ones Great lesson man !

Great! I've been waiting for the second part...and its finally here! thank you Vinod!

Excellent Vinod! Well done!

sounds very cool, great job Vinod!

nice it sounds

Sounds Awesome!

Yeah! Part 2, thanks Vinod!! Sounds so good Are you making a full video played the whole piece when you done all parts in lessons?

Great job Vinod,
looking forward to rest of this piece!!

Great job, I´m waiting to hear the whole piece.
I love it, sounds really nice, I have some ideas I would like to share the fingering you´re using here (pmi) it´s kind of slow and unconfortable at least for me, I would use pia or pim which I foun (again for me) much faster and also alows me to plant the i finger on b string as soon I plant the thumb on the base strings.
Another idea, on left fingering you have finger 3 used two times in a row on adjacent strings and it´s not a "fast" choice for the time of the piece.


E||--7---------------------------------|--7---------------------------------|
B||--7----0-0----0-0---0-0---0-0---0-0-|--7----0-0----0-0---0-0---0-0---0-0-|
G||--8---------------------------------|--8---------------------------------|
D||--9--9-----10-----7-----9-----------|--9--9-----10-----7-----9-----------|
A||--9---------------------------9-----|--9---------------------------9-----|
E||--7---------------------------------|--7---------------------------------|

Are these 9 con D string and 9 fret on A string
if you instead use 4 and 3 fingers and let them pressed, you have them already prepared for playing the barre chord.
I love this piece, if anyone have more ideas please post, It´s always good to have extra digitations to compare investigate and see what works best for you.

Excellent Vinod!! Nice Lesson!

Sounds good, Vinod!
To me, this is most challenging part of this piece, but you feel this is easier than the last part. That's great, too.

For the fingering issue Gerardo brought up, I think either way is correct.
Technically, Gerardo's idea makes sense, and I do it this way.
But musically speaking, using the same finger 3 is good because the bass melody is supposed to be played "staccato", intentionally short and chopped. The original piano score does have staccato marks on each bass notes. If you use Vinod's fingering, it kind of gives bouncy and more rhythmically alive feeling.
This kind of fingering and musical thoughts makes each players output different from each other, even they all play the same notes from the score in classical music.

Sounds awesome Vinod!!! Great lesson

Great lesson Vinod!!

excellent vinod nice work

Oh that's really difficult !!! I tried to play this theme few months ago but I left it out 'cos my figers technique is not so good

great work, Vinod

Beautiful Vinod. I have to learn this one!

love that piece you do it great!

I just need to say the same as the family here. Really great lesson. My fingering needs this type of lessons.:)thanks

Beautiful and really well executed

Good job Vinod!

Fantastic I wanna hear it complete :-P

Very well played, nice tone thx !, all hard rockers should not neglect learning classical pieces on a classical guitar. I also love and play both. By the way, I could do with a classcial CutOut guitar as well...

hey vinod!!!

excellent!!!

nice job!!!

thanks