Sounds good, Vinod! To me, this is most challenging part of this piece, but you feel this is easier than the last part. That's great, too.
For the fingering issue Gerardo brought up, I think either way is correct. Technically, Gerardo's idea makes sense, and I do it this way. But musically speaking, using the same finger 3 is good because the bass melody is supposed to be played "staccato", intentionally short and chopped. The original piano score does have staccato marks on each bass notes. If you use Vinod's fingering, it kind of gives bouncy and more rhythmically alive feeling. This kind of fingering and musical thoughts makes each players output different from each other, even they all play the same notes from the score in classical music.
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