Asturias part 2- Isaac Albeniz

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Members practicing this lesson:
fredloveguitar
Farbror Kudde


   Hey GMC. Hope You have practised the first part of Asturias. This is the second part.
It is bit easier than the first one.

Go to First Part here



     Lesson Questions, Feedback & Comments



kaznie_NL
post 5th January 2008


Member


First comment! Sounds realy nice Vinod!!
Lester
post 5th January 2008


Member


I think this is a great piece played by a great player smile.gif
Bogdan Radovic
post 5th January 2008


Bass Instructor


I really like this piece , its one of my favorite ones wink.gif Great lesson man !
Tuubsu
post 5th January 2008


Member


Great! I've been waiting for the second part...and its finally here! thank you Vinod!
Dejan Farkas
post 5th January 2008


Instructor


Excellent Vinod! Well done! wink.gif
Martin la guitarra
post 5th January 2008


Member


sounds very cool, great job Vinod!
botoxfox
post 5th January 2008


Member


nice it sounds
The Uncreator
post 5th January 2008


Fire Up The Blades, Moderator


Sounds Awesome!
TheClansmanDK
post 5th January 2008


Member


Yeah! Part 2, thanks Vinod!! Sounds so good smile.gif Are you making a full video played the whole piece when you done all parts in lessons?
Muris Varajic
post 5th January 2008


Instructor


Great job Vinod,
looking forward to rest of this piece!! smile.gif
Gerardo Siere
post 5th January 2008


Instructor


Great job, Iīm waiting to hear the whole piece.
I love it, sounds really nice, I have some ideas I would like to share the fingering youīre using here (pmi) itīs kind of slow and unconfortable at least for me, I would use pia or pim which I foun (again for me) much faster and also alows me to plant the i finger on b string as soon I plant the thumb on the base strings.
Another idea, on left fingering you have finger 3 used two times in a row on adjacent strings and itīs not a "fast" choice for the time of the piece.


E||--7---------------------------------|--7---------------------------------|
B||--7----0-0----0-0---0-0---0-0---0-0-|--7----0-0----0-0---0-0---0-0---0-0-|
G||--8---------------------------------|--8---------------------------------|
D||--9--9-----10-----7-----9-----------|--9--9-----10-----7-----9-----------|
A||--9---------------------------9-----|--9---------------------------9-----|
E||--7---------------------------------|--7---------------------------------|

Are these 9 con D string and 9 fret on A string
if you instead use 4 and 3 fingers and let them pressed, you have them already prepared for playing the barre chord.
I love this piece, if anyone have more ideas please post, Itīs always good to have extra digitations to compare investigate and see what works best for you.
Pablo Vazquez
post 5th January 2008


Instructor


Excellent Vinod!! Nice Lesson!
Kosei Kubota
post 5th January 2008


Classical Instructor


Sounds good, Vinod!
To me, this is most challenging part of this piece, but you feel this is easier than the last part. That's great, too.

For the fingering issue Gerardo brought up, I think either way is correct.
Technically, Gerardo's idea makes sense, and I do it this way.
But musically speaking, using the same finger 3 is good because the bass melody is supposed to be played "staccato", intentionally short and chopped. The original piano score does have staccato marks on each bass notes. If you use Vinod's fingering, it kind of gives bouncy and more rhythmically alive feeling.
This kind of fingering and musical thoughts makes each players output different from each other, even they all play the same notes from the score in classical music.
Tomy Jeon
post 5th January 2008


Member


Sounds awesome Vinod!!! Great lesson smile.gif
Toni Suominen
post 5th January 2008


Instructor


Great lesson Vinod!! smile.gif
Hisham Al-Sanea
post 5th January 2008


Instructor


excellent vinod nice work
Juan M. Valero
post 6th January 2008


Instructor


Oh that's really difficult !!! I tried to play this theme few months ago but I left it out 'cos my figers technique is not so good tongue.gif

great work, Vinod wink.gif
Marcus Lavendell
post 6th January 2008


Instructor


Beautiful Vinod. I have to learn this one!
Ben N
post 6th January 2008


Instructor


love that piece you do it great!
krudtaa
post 6th January 2008


Member


I just need to say the same as the family here. Really great lesson. My fingering needs this type of lessons.:)thanks
Fran
post 7th January 2008


Member


Beautiful and really well executed smile.gif

Good job Vinod!
Vinod Saranga
post 13th January 2008


Acoustic Instructor


Thanks everyone smile.gif

@ Gerardo
I really appreciate your post about the fingering.
It's easy to Play Pmi for me because I use often Pami tremolo .But with a few minutes of warmup of Pima trmolo I can also Play it with Pim.Use what you feel most comfortable for you.I think Kosei has well explained the left hand fingering issue. smile.gif
Joe Kataldo
post 14th January 2008


Instructor


Fantastic I wanna hear it complete :-P
Nighthawk
post 25th January 2008


Member


Very well played, nice tone thx !, all hard rockers should not neglect learning classical pieces on a classical guitar. I also love and play both. By the way, I could do with a classcial CutOut guitar as well...
Carlos Carrillo
post 1st March 2008


Instructor


hey vinod!!!

excellent!!!

nice job!!!

thanks


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