Kristofer Dahl31st August 2015Excellent Steph, this is how I look at outside playing as well. Basically adding color with the 'wrong' notes, you just need to do it carefully/tastefully - and you provided some great examples of just that!
Darius Wave31st August 2015Smooth as hell...just like all of your tasty fusion licks Stephane
Clothingstorm431st August 2015Great lesson man! I love the sound of outside notes, especially on jazz/blues.
You know the right way to use chromatics!
Keep it up!=D
Hajduk1st September 2015Great lesson Stephane
Stephane Lucarelli1st September 2015Thanks guys!
Guido Bungenstock4th September 2015Really really cool, Stephane!
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This month, let's talk about chromaticism and how to add some spice in your playing !
It's a good way to break monotony and add a little or more tensions in the phrasing.
The concept is pretty simple - we gonna add some non diatonic notes i.e. some outside notes.
Of course each outside note will add tension, different colours depending on how & when they are played.
Having a good visualization of the scales all over the neck will be great help.
So the basic scale here is the B Dorian mode ( we could also visualize the B minor pentatonic scale if it helps ).
The backing track is build around the Bm7 chord, 105bpm.
Last month's lesson about "Enclosures" is related to this one and could be a great help - please check it out !
- Gear used -
Suhr Classic strat / Suhr Badger amp.
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Jazz Fusion Enclosures
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