Great lesson.
Nice voicing!
Nice nice , very melodic
Thanks Vasilije
really like the steadyness the repeated not provides as well as the chord progression.
will keep this principal in mind when composing
-Frederik
This sounds great !! Love the melody on top.
Wonderful voice leading Vasilije !
Thanks guys! I love this easy-harmony stuff, could play it all day long...
good job Vasilije.
Great stuff Vasilije!! This sort of thing is what I've been trying to learn for a while!!!
awesome
Coool! What a nice progression!
Nice aproach, thank you.
There's so many sharps...
Very nice lesson
Hi GMC!
Today we will also look at the chord pivoting, and what we can do with it. Harmony will be famous I-VI-II-V chord progression in the key of F#. So, chord are F# maj7, D# min7, G# min7, C# 7. There are three parts in which pivot note is different, so in the first part we have A#, then in second F#, then C#. This example contains lots of chord voicings, some of which are pretty unusual, like C# 7 in the second part. Memorize those chord shapes to expand your chord vocabulary. I-VI-II-V progression is great for experimenting with different chord voicings, try to invent your own, try with different pivot notes, and be sure to stay in the key.
Enjoy!
Regards!
Vasilije Vukmirovic