Well, these are exactly the same notes I got and used a chord-finder tool for to get a name

It a Jimi Hendixadd13!


Or I think the correct name would be EM7#9add13.

This post has been edited by Sensible Jones: Jan 24 2013, 05:06 PM

Ok, we have E as a root, then

G# - major third
D - minor 7th
G - looks like augmented 9th
C - looks like minor 13th

Also there is no 5th.

Now I'm totally confused about right name of this chord...

Looks like Neil has landed the airplane! Good one mate! Your call now - throw a chord at us



Well, Neil has said the name before you did major 3rd and b7th usually signal a dominant 7th chord and this one is E7#9add13 so Neil you missed it BY AN INCH no M7 here - I just noticed you said M7

So I say - why not Artyom AND Neil throw a chord at us, each!

I just noticed that too, now you mention it! I did mean to write m7 so as to distinguish it but must have made a typo!
Sorry!!

As far as I can tell the chord had been found but the name for this chord has not been guessed yet, unless I missed something.
The chord as I understand it is.

E7#9 b13

True - as it's a flat 13th we have there - sorry for having my head in the clouds

I never knew the name of this chord untill about a year ago when I found this

http://www.premierguitar.com/Magazine/Issu...drix_Scale.aspx

Hehe, I had no clue about this man Thanks for sharing!

My pleasure!

And I shouldn't use a chordfinder tool

The old Hendrix chord (E7#9) with a b13 (#5) built from E alt, 7th mode of FMM...

This post has been edited by brwnhornet59: Jan 25 2013, 12:48 AM

Alright! Here is one from me

Alright guys! Who's the first to tackle smolentsev's challenge?

It is a B 6/9 (sans 5th) with the 6th doubled in octaves.... B G# D# G# C# (R 6th 3rd 6th 9th)...

Spot on! It's from song Lenny by SRV

Okay, my turn. This should not be to hard...

It is also:-
C# 7sus2 no3 ||R25b7
Eb aug5 7th sus4 ||R4a5b7
or
Ab m add4 ||Rm345

Indeed, but from the instructions I saw, the chord name was based off of the root. We can add all of the inversions as part of the answer if you want.

Yes, indeed guys, let's stick to the chord name based on the root, in order to avoid diversions for this one, BUT, since you came up with it, maybe I'll start a little activity based on this idea as well So, Sensible Jones - you have the ball!