Cosmin's Video Chat Lesson Notes |
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Nope didn't think so either. We all know parents don't get this.
I can show you how to be the virtuoso your folks could only dream about, but I first need your help:
* Pm me and I will show you where to start. I am online every day and I will help you out directly!
* Join my mentoring program. I will customize your learning experience in a way you haven't experienced before. We will have regular contact so that you can remain inspired every day and eventually reach a new level.
* Join my next video chat! GMC startpage holds a video chat schedule. We always cover a lot of ground and have fun. Remember that you don't need any previous knowledge, and you can be passive in the chat.
* Jam with me - you will find active collabs here.
* Post a topic on this board, guitar related or not - doesn't matter! You will find that chatting with instructors boosts your motivation to practice.
* You haven't missed my latest video lessons, have you?
* Oh and did you know that to become a killer guitarist you just need to focus on one thing? Everything
else is secondary. Pm me and I will explain.
Cosmin's Video Chat Lesson Notes |
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Apr 21 2012, 03:57 PM |
Aloha crew!
here are the examples which we discussed over on Thursday and some theoretical notions on the Locrian mode: Locrian Mode Formula: 1 b2 b3 4 b5 b6 b7 ( example:C D Eb F G Ab Bb C) Differentiating scale degree: b5 Chord types over which the mode fits best: diminished, m7b5, m7b5b9 Typical progressions: Im7b5 IVm7 (ex: Bm7b5 Em7); Im7b5 bVIIm7 (ex: Bm7b5 Am7) Observations: - used in the very opposite contexts: jazz and metal - it is also called the diminished mode, due to the fact that it fits well over the diminished chord structure (1 b3 b5) and over the m7b5 chord, usually the chord bearing the function of II in the II V I minor jazz progression. - it can be used in the context of developing a Locrian based melody over a single chord played over a greater number of bars - static situation - In example 3 (GP/ PDF file) you will notice the progression: C G/B Am - in this case (major key progression) the VII chord is rarely used, so it is substituted with the first inversion of a V chord (in our case first inversion of G in the context of the C major scale based progression) We regard B as the root note and the chord becomes Bm#5 we can use the Locrian mode over it as you will notice. Try to analyze the notes making up the chords used in the examples and the notes played over them in order to better understand how the modes function. It is a good exercise and I am trying to do it with you in the chat as often as I can that's why I always tell you what notes go where try it! It's very good See you next Thursday at 8 PM London time mates! Cosmin This post has been edited by Cosmin Lupu: Apr 21 2012, 03:57 PM
Attached File(s)
Locian_Mode_Part_1.gp5 ( 4.04K )
Number of downloads: 146
Locian_Mode_Part_1.pdf ( 143.79K ) Number of downloads: 352 |
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