Nimrandir - Mentored By David (mtp) |
|
Nimrandir - Mentored By David (mtp) |
|
|
|
|
Oct 8 2009, 05:12 PM |
Thanks! Now I see... That half-step movement was probably C# of Amaj7 to D or C of Dm7. Amaj7 and Dm7 cannot be put into one scale, so I'll have to play either A ionian or A lydian over Amaj7 and D aeolian, phrygian or dorian over Dm7. But I think ionian would be better in this situation as it contains D, so the modulation would be smoother (hopefully ). As for Dm7, I'd go for D dorian as it contains B which is also in A ionian. Also, the G and Fmaj7 chords are parts of D dorian, so I can use the same scale over Dm7 - G - Fmaj7 bit. Is it right? Excellent analysis! That's exactly right. So you will use A Ionian over the A Major chord, and D Dorian over all the rest... Now, you can go for the short improv. Don't kill yourself over it, we'll do another one soon using a different method... Also, here is an important topic with new MTP requirements for you to read... https://www.guitarmasterclass.net/guitar_fo...showtopic=31054 I'll take care of the new specs later today! :-) -------------------- www.youtube.com/Wallimann
www.davidwallimann.com |
|
|
||