Srv Collab, Final Mix And Comments, ....and hopefully discussion!! |
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Jul 18 2009, 04:16 PM
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Thanks Sted for your very nice comments, which is much appreciated. Nice surprise when coming back from sunny Spain
-------------------- "Don't practice until you get it right. Practice until you can't get it wrong." Guitars & Amps Brian Moore DC-1 Custom Shop (Cherry Sunburst, mahogany/rosewood) Eric Johnson Signature Strat (2-tone Sunburst, alder/maple) Ibanez RG770 (Black, basswood/rosewood) Peerless Journeyman (solid spruce/maple) Sixt Bov-105C (Ovation-like acoustic) - Ibanez SGT-130 (Jumbo acoustic) London City VS-1 (Precision bass) - Baton Rouge U3S (Ukelele) Fender HotRod Deluxe 40W combo - Fender Princeton Reverb Reissue 5W combo - Marshall JCM 900 50W Hi-Gain combo Effects & Other stuff POD Studio UX2 audio interface - Edirol MA-15D monitors EH Double Muff - Fulltone GT-500 - Fulltone Fulldrive 2 Mosfet - Guitarsystems TrebleTool Junior - Guitarsystems FuzzTool Junior Korg Pitchblack Tuner - MXR Carbon Copy Analog Delay - TC Electronics Nova Modulator - Morley Bad Horsie 2 Wah Shure SM58 - Roland PCR-500 midi controller/keyboard & Yamaha Clavinova CL-910 piano My Website My MySpace Page My YouTube Channel My Twitter Account My Band 'Gonzo!' |
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Jul 19 2009, 07:26 AM
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QUOTE (sted @ Jul 18 2009, 06:48 PM)  youre welcome mate, thanks again for your input! I forgot you had an EJ strat lol! Well i really liked your sound on this so I guess that re-afirms my decision to get one! Excellent choice! Took me a while though to setup the pickup heights together with the right type of strings (using pure nickel DR strings currently, to add some warmth to the bass strings) to get exactly the sound I am after. -------------------- "Don't practice until you get it right. Practice until you can't get it wrong." Guitars & Amps Brian Moore DC-1 Custom Shop (Cherry Sunburst, mahogany/rosewood) Eric Johnson Signature Strat (2-tone Sunburst, alder/maple) Ibanez RG770 (Black, basswood/rosewood) Peerless Journeyman (solid spruce/maple) Sixt Bov-105C (Ovation-like acoustic) - Ibanez SGT-130 (Jumbo acoustic) London City VS-1 (Precision bass) - Baton Rouge U3S (Ukelele) Fender HotRod Deluxe 40W combo - Fender Princeton Reverb Reissue 5W combo - Marshall JCM 900 50W Hi-Gain combo Effects & Other stuff POD Studio UX2 audio interface - Edirol MA-15D monitors EH Double Muff - Fulltone GT-500 - Fulltone Fulldrive 2 Mosfet - Guitarsystems TrebleTool Junior - Guitarsystems FuzzTool Junior Korg Pitchblack Tuner - MXR Carbon Copy Analog Delay - TC Electronics Nova Modulator - Morley Bad Horsie 2 Wah Shure SM58 - Roland PCR-500 midi controller/keyboard & Yamaha Clavinova CL-910 piano My Website My MySpace Page My YouTube Channel My Twitter Account My Band 'Gonzo!' |
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Jul 29 2009, 08:34 AM
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I usually use two mics, one pointed close to the cone of the speaker and one in about 2 meters distance. Then it's possible to blend the two mics into another to get the preferred sound, since the distance mic is darker and more "roomier", I use to have it at a lower level than the other one... Also it takes away some of the "attack" in the sound and makes it sound a little smoother.... Btw. I read that Billy Gibbons actually built a ROOM of amplifiers, with about some 10-20 mics inside..... how cool is that ?? (I think he can afford it, though... *lol* )
QUOTE (sted @ Jul 7 2009, 10:52 PM) I'm glad I was right about you using a mic'd amp! The sound was sooo tube in the take!! like the way you use two mic's to get a reverb too I suppose? Thanks again for taking part mate! --------------------  Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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