Studio Monitors |
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Studio Monitors |
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Oct 27 2011, 03:10 PM |
Some photos of the traps etc Gary - not great quality I'm afraid.
This is a close up of the LHS monitor. It's a 3 way, 8'' bass, 5'' mid and a tweeter. Monitors are ATC SCM Professional and specially designed for mastering. They're active and include 3x2 dedicated Bryston amps, 1 for each speaker cone so each amp and each speaker cone handles a specific frequency range.Amps are 200W bass, 100W mid and 50 High, they put out 120dB SPL continuous at 1 meter. Speakers are flat to @50 Hz and then gently roll of at -3dB/Octave - better than most subs. X-Overs are at 3.5k and 380Hz. Amps are XLR and fed from a calibrated Lavry Black 11 DAC. This is the studio facing towards the monitors. The bass traps are behind the monitors and are covered in the blue double bed sheets. The traps are literally wooden frames - wood is 1 inch thick and 6 inches wide- with no back or front. These are filled with high density rockwool to a thickness of about 5 inches, which is then held in place by a thin sheet glued and pinned in place and some wooden dowels. The dowels also add some strength to the frames. Traps are rectanglular about 7' high by 4' wide and placed at an angle in the corner. Our traps are a lot bigger than the ones you can buy commercially and are floor standing. They also trap to a much lower frequency than commerical ones because we use a high density rockwool and pack it in. We have 4 of these - 1 in each corner plus we have some more, smaller more portable bass traps on the sides. There are also standard, commercial reflectors and diffusors but by far and away most of our treatment is bass trapping. The stereo is 1 1/2 feet behind the rear plane of the monitors. Distance between the monitors is @7' centre to centre. The monitor stands position the speakers so that the tweeter and mid are in line with my ears when I'm seated. Montors are in open, free space @1 1/2 feet from the side and back walls and about 8'' from the inclined plane of the bass traps. Stands are cast iron and filled with lead shot. The monitors btw are increadibly heavy - they weigh about 50kg. This is the studio facing the monitors taken from where I sit. You can see a reflector a couple of feet above the stereo. Main thing to note here: there is little/nothing directly between me and the monitors. You can just see the corner of my desk and the pc we use for mastering. Desk is about 6 back from the front plane of the speakers and the desk is against the wall so very little of it actually is in front of the RHS monitor and me. You can't see them but on the desk is a pc monitor, the DAC, some outboard and a USB extension that holds all the various I-Lok dongles and other dongle keys that we have. None of this stuff though is in line of sight of the RHS monitor. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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