Advanced chords lesson, Finally up after some bugs... |
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Advanced chords lesson, Finally up after some bugs... |
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Feb 12 2007, 09:55 PM |
Advanced chords lesson
Woho, Time for Pavel to show us yet a new side - with this truly informative lesson on constructing advanced chords - the first of it's kind here at gmc! Pavel has also upgraded his recording equipment - which has resulted in better video quality. So after a bit of bugging we made it...! Please report if any bugs should remain! Kristofer |
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Feb 12 2007, 10:54 PM |
Cool! The lesson is up! And i really like the video quality comparing it to my old lessons! Let's hear some feedback!
-------------------- "It isn't how many years you have been playing, it's how many hours." -- Prashant Aswani "PRACTICE, PRACTICE, PRACTICE!" -- Michael Angelo Batio Check out my video lessons and instructor board! |
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Feb 12 2007, 11:01 PM |
incredible lesson, been waiting for 1 like this. thank you so much
-------------------- But still I want answers, what's the point, what does all this mean? |
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Feb 12 2007, 11:21 PM |
incredible lesson, been waiting for 1 like this. thank you so much Hey thanks man! Well as most of the stuff at GMC i based on distortion i think i'll work on more stuff like this! I think as i mentioned in the lesson the importance of knowing chords shapes - i will make a lesson with lots of shapes switching. -------------------- "It isn't how many years you have been playing, it's how many hours." -- Prashant Aswani "PRACTICE, PRACTICE, PRACTICE!" -- Michael Angelo Batio Check out my video lessons and instructor board! |
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Feb 13 2007, 01:48 AM |
Beautiful piece Pavel. This will be a joy to practice and learn!
-------------------- Webpage:
- http://www.myspace.com/yngwie100 Equipment: - Fender Standard Stratocaster - Dunlop Tortex 1.14mm picks - Roland Cube-20X modeling amp - Boss FS-6 Dual Footswitch - DOD YJM308 Overdrive (optional) - Boss DS-1 Distortion (optional) - Marshall MG15CD amp (spare) |
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Feb 13 2007, 02:10 AM |
Next you should post a lesson on how you create these incredible solos! What solos do you mean? The lessons? -------------------- "It isn't how many years you have been playing, it's how many hours." -- Prashant Aswani "PRACTICE, PRACTICE, PRACTICE!" -- Michael Angelo Batio Check out my video lessons and instructor board! |
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Feb 13 2007, 02:13 AM |
Make a lesson on how to string riffs together to make a song?
-------------------- But still I want answers, what's the point, what does all this mean? |
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Feb 13 2007, 06:01 AM
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Great lesson Pavel. Can anyone tell me where I can learn how to do different chord shapes for improvising?
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Feb 16 2007, 11:30 AM |
Hey thanks for the question!
Well i think i'll have to dissapoint you but when i am composing i don't think in progressions or scales that are "100% theory approved"! I pick up 2 - 3 chords and jam with them, and the so called "progression" simply develops from jaming. The key here is E major during the whole song. That G major sounded so cool to me there that i just wasn't thinking about was it in the scale or not. That's why i always say that composing has a lot to do with improvising, you just have to sit and improvise around the main theme you got in your head! Sometimes you'll get stuff that sounds great but simply doesn't go with theory! -------------------- "It isn't how many years you have been playing, it's how many hours." -- Prashant Aswani "PRACTICE, PRACTICE, PRACTICE!" -- Michael Angelo Batio Check out my video lessons and instructor board! |
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Feb 18 2007, 12:24 PM |
Sure! Than you'll have to sit with that "weird" progression and jam over and over again to get the progression feel so it becomes comfortable for you. You won't be able to stay in just one scale.
-------------------- "It isn't how many years you have been playing, it's how many hours." -- Prashant Aswani "PRACTICE, PRACTICE, PRACTICE!" -- Michael Angelo Batio Check out my video lessons and instructor board! |
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Feb 18 2007, 03:08 PM |
Sure! Than you'll have to sit with that "weird" progression and jam over and over again to get the progression feel so it becomes comfortable for you. You won't be able to stay in just one scale. The genius is in breaking the rules and getting away with it - some can do it (my co-writer can, I can't). The rules are there to guide you at first, but they are not set in stone. If something sounds good, it doesn't matter what rules it breaks. My favorite analogy is this: When you learn martial arts, you spend a lot of time doing formal exercises, called Kata. A lot of people mistake that for the art itself, but it is only a framework to hang your skill on. At some stage you move beyond the framework, safe in the knowledge that it has trained your reactions to do the right thing, but you are no longer bound to its literal interpretation. I think its the same with music. Another example is scales. We all play scales, but at some stage you move beyond the boxes and learn to use the notes themselves in a connected way regardless of the box. Is that cheating? No, it just means that the scales have done their job in training your reactions, and you are no longer a slave to them. The theory is NOT music, its just a way of nailing it down enough that we can learn it, and then be free to express ourselves. But, the essential point is that you need to have learn't the theory to have any hope of progressing beyond it. -------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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