Very Cool Technique, To Get Out Of Box And Discover Modes:), By our shredmaster Rusty Cooley:) |
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Very Cool Technique, To Get Out Of Box And Discover Modes:), By our shredmaster Rusty Cooley:) |
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May 12 2009, 05:17 PM |
Since my guitar is at the luthier now for a few days I am spending a lot of time just looking around for stuff to practice when I'll get my guitar back.
Randomly, I discovered this today Basicly what he is doing is, he takes of the 7th from a scale, thus creating very easy paterns for playing, which naturally repeat each octave, so you have no way how to get lost The 7ths position can be calculated in spot easily, since its just 1 or 2 frets higher than your 6th.. (well okay, maybe even tree, if it was minor 6th and major 7th - say melodic minor) EDIT: Btw. funny thing happened at 4:33 - he said "Now we will jump into another octave" and when he said that "octAVE" he started playing and his voice had exactly the same pitch as his tone on guitar This post has been edited by Jakub Luptovec: May 12 2009, 05:25 PM -------------------- my youtube account with riffs and ideas: https://www.youtube.com/user/Phoenygzus
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May 12 2009, 05:30 PM |
Really interesting view. This should be taught even before of showing the full scale pattern!
I will try this later when I get home. -------------------- my "Thank you GMC!" video
If you like it please vote in the competition ;-) Gus Stairway to Guitar Heaven - my practice agenda Check out my lesson here Phrygian Dominant Solo lesson Gear : Ibanez RGT320q (I just love the neck-thru sustain), Washburn EA-20SDL (acoustic 6 string), Standard strat (Mexico), POD X3 Live Some of my Guitar heroes: Jimmy Page, Slash, Kirk Hammett, Augusto Licks, Joe Satriani, Gus G, David Gilmour, Mark Knopfler... |
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May 12 2009, 05:32 PM |
He played 7th at 2:40, G over A Dorian.
Joking ofc, a fine way to cross more over fingerboard while keeping 3nps shapes only, something has to be missed indeed. -------------------- Youtube
MySpace Website Album "Let It Out" on iTunes and CD Baby Check out my video lessons and instructor board! The Pianist tune is progress,check it out! "ok.. it is great.. :P have you myspace? Can i to personalize this for you guy?" |
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May 12 2009, 05:36 PM |
sure, but if you move from the ionian pattern (Lets say in key of C) - playing CDEFGA - to dorian pattern DEFGAB, while C maj7 is still ringing, I bet that licks produced by this will sound very tasty at high speed. I have no way to check tho:D Guys lend me a guitar till friday
Muris: He doesnt play anything at 2:40 :-O On the other hand, sadder fact is, that it is somewhere there, and I dont hear it (the 7th) This post has been edited by Jakub Luptovec: May 12 2009, 05:45 PM -------------------- my youtube account with riffs and ideas: https://www.youtube.com/user/Phoenygzus
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May 12 2009, 05:50 PM |
Very cool, some interesting ideas in here to develop and incorporate into practice! Thanks for sharing
-------------------- - Ivan's Video Chat Lesson Notes HERE
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May 12 2009, 06:26 PM |
Muris: He doesnt play anything at 2:40 :-O On the other hand, sadder fact is, that it is somewhere there, and I dont hear it (the 7th) My bad, I mixed minutes and seconds, it's at 4:20. And if I may, if you just move from C Ionian to D Dorian you perhaps don't move at all, you just change chord in progression, you'll still be hearing C chord as a root and not Dm, not to mention if you play over C chord all the time. -------------------- Youtube
MySpace Website Album "Let It Out" on iTunes and CD Baby Check out my video lessons and instructor board! The Pianist tune is progress,check it out! "ok.. it is great.. :P have you myspace? Can i to personalize this for you guy?" |
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May 12 2009, 06:28 PM |
very nice patterns. Thanks for sharing.
-------------------- Check out my <a href="https://www.guitarmasterclass.net/instructor/Emir-Hot" target="_blank">Instructor profile</a>
www.emirhot.com www.myspace.com/emirhotguitar www.myspace.com/sevdahmetal |
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May 12 2009, 06:29 PM |
Nice way of getting accross the fretboard indeed, thanks for this
-------------------- "Don't practice until you get it right. Practice until you can't get it wrong." Guitars & Amps Brian Moore DC-1 Custom Shop (Cherry Sunburst, mahogany/rosewood) Eric Johnson Signature Strat (2-tone Sunburst, alder/maple) Ibanez RG770 (Black, basswood/rosewood) Peerless Journeyman (solid spruce/maple) Sixt Bov-105C (Ovation-like acoustic) - Ibanez SGT-130 (Jumbo acoustic) London City VS-1 (Precision bass) - Baton Rouge U3S (Ukelele) Fender HotRod Deluxe 40W combo - Fender Princeton Reverb Reissue 5W combo - Marshall JCM 900 50W Hi-Gain combo Effects & Other stuff POD Studio UX2 audio interface - Edirol MA-15D monitors EH Double Muff - Fulltone GT-500 - Fulltone Fulldrive 2 Mosfet - Guitarsystems TrebleTool Junior - Guitarsystems FuzzTool Junior Korg Pitchblack Tuner - MXR Carbon Copy Analog Delay - TC Electronics Nova Modulator - Morley Bad Horsie 2 Wah Shure SM58 - Roland PCR-500 midi controller/keyboard & Yamaha Clavinova CL-910 piano My Website My MySpace Page My YouTube Channel My Twitter Account My Band 'Gonzo!' |
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May 12 2009, 07:32 PM |
Thank you for sharing this video Jakub, very useful. I was applying this same concept at Berklee for 3 octave scales modes and arpeggios. Difference is, you can choose how you want to divide your combinations. Since its 7 note scale, you can either do 4 + 3 or 3 + 4 notes. What do you mean by 3+4 or 4+3? That you play 3 notes on 1st string and 4 on the 2nd and vice versa? Just sliding to/from the 7th? -------------------- my youtube account with riffs and ideas: https://www.youtube.com/user/Phoenygzus
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May 12 2009, 08:05 PM |
cool way to approach modes
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May 12 2009, 08:12 PM |
Nice vid mate!
Thanx for sharing it -------------------- |
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May 12 2009, 09:09 PM |
Kinda loses the point of mixolydian
-------------------- Olle "AJ" Svensson
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May 12 2009, 09:29 PM |
harmonic minor would also lose its sense, but its not ment as a modes showoff - its more of a helper in mapping the fretboard OR a pattern for lickbuilding. You can add the 7th as a last note of lick or w/e so the mixolydian dominant tonality is emphasised
-------------------- my youtube account with riffs and ideas: https://www.youtube.com/user/Phoenygzus
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May 12 2009, 09:38 PM
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I first learned that in an Andy James tune. He did it playing 2nps 7th arpeggios. Very cool technique that can be used for any type of pattern....
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May 12 2009, 09:57 PM |
Mind to post a tab sinppet or track name?
-------------------- my youtube account with riffs and ideas: https://www.youtube.com/user/Phoenygzus
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May 12 2009, 10:16 PM |
What do you mean by 3+4 or 4+3? That you play 3 notes on 1st string and 4 on the 2nd and vice versa? Just sliding to/from the 7th? Just slide from 7 to 1 and keep up the same thing. You actually start 3 but then you play 4 on same place but octave/s higher, 3+3+4+3+4+3. -------------------- Youtube
MySpace Website Album "Let It Out" on iTunes and CD Baby Check out my video lessons and instructor board! The Pianist tune is progress,check it out! "ok.. it is great.. :P have you myspace? Can i to personalize this for you guy?" |
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May 12 2009, 11:55 PM |
I was just about to make my own video of this, only a lot less complicated. I'll try to hurry up and get it done. I thought everyone already knew this, but I guess not. There are some other pretty amazing things you can do along these lines. I don't understand the point of leaving out the 7, unless it is to stick exclusively to 3nps. I'm going to show how to play any scale from anywhere and not get lost. The way I was taught also covers 3 octave runs, even some 4's.
Pedja: My teacher also taught me that early on, 3+4 slide. But I have something else in mind. This post has been edited by jdriver: May 12 2009, 11:59 PM -------------------- "I dreamed a lot when I was younger.. I'm older now but still I hunger For some understanding. There's no understanding, now. Was there ever? ...Joe Puerta (Ambrosia)... Finally got a YouTube page going. |
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