Copy Kills Music |
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Copy Kills Music |
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May 20 2008, 08:57 PM |
I'm gonna try not to go on another rant about how I hate todays "top-charts"
But.. I think more people buy metal and rock, then say todays "hits", since these "hits" with Justin TimberFAIL and stuff like that gets overplayed on radio and TV. Who wanna pay for it when you can turn on the radio and hear those songs five times every hour? We got a program on TV here in Norway called "Svisj". Basicly, a list of songs scrolls through the lower end of the screen with a code. You take your mobile, send the code via SMS to the station, and that song get a vote... This way, of course there's only like three or four songs playing over, and over, and over, and over again..... (Thank god there's Metal-Svisj once a week!). Back to my point, we who listen to Metal, Rock, Blues and other kind of real music, enjoy the music for what it is: Art =) And by that, we like to have the physical CD in our collection. Another little positive side to buy the real deal: The smell. Oh my god, the smell of a newly bought CD of one of your favorite bands =) This post has been edited by Canis: May 20 2008, 08:58 PM -------------------- GMC is not just a website... It's a lifestyle!
https://www.youtube.com/CanisArctus ->Click here for the ultimate practicing tip!<- |
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May 21 2008, 12:08 PM |
Thanks for all your posts, it is really interesting to read about all your opinions
@Smikey: Unfortunately your friends way of thinking is very wrong. First of all, let me say it again (hehe, yeah, I know, I mentioned this before): Music is not something that is for free! Producing an album is expensive... depending on how good the studio is and how long you spend in it, it can be VERY expensive, and this is money that the band has to spend. It is just like... I don't know... building a car, this costs money, so obviously the car is not for free, if you want it you have to pay for it, otherwise the company that built it will go bankrupt. I don't know if your friend is still in school or if he has a job, just ask him how he would like it if he would be working, but nobody would buy his products because people found a way to get it for free? I doubt he would like this thought. And this thing about paying the band by buying a shirt and coming to a gig. Unfortunately it is not that easy. A newcomer band has absolutely NO chance to survive like this. New bands are not big enough to go on a big tour as a headliner, they either play a few gigs that can't make them enough money to survive without album sales, or they open up for a big band, like that they don't earn any money (the support bands don't really get money form ticket sales), if they have bad luck they will even have to pay to be able to open up for that big band. You can already see this effet in todays music scene, where are the bands that grow over some years, that get bigger and bigger, that keep releasing good albums? All I see is some big bands that are there since many years already, and some new bands that release an album today, and that are gone again tomorrow. @ blindwillie: I absolutely agree with you in many of your points. DRM and all those copy protections are pure crap! If I buy a cd I want to be able to listen to it on any cd/dvd player, I want to be able to copy the songs to my iPod, to my computers, to cds for my car, and I don't want any restrictions, after all I paid for the cd. I also don't really like all those special editions. Well, it is ok if they are all released on the very same day, so I can go to a shop, check them all out and then decide for the version that I like most, but of course this is not how it is working. Of course first only the regular version is released, and then, some weks later, all the blown up versions are released step by step, trying to make us buy the same album over and over again... But I would like to comment on something that funny enough was not mentioned so far... the price of cds. I heard this many times already, people complaining about high prices of cds. Those people always come with the argument that back then vinyl albums were only half the price of what he have to pay for cds today. Well, yes, vinly albums were only half the price, but those people froget something... vinyl albums were also only half as long, the capacity for those albums was about 35 minutes, while most of the cds released today have between 60-75 minutes. So for twice as much money you get twice as much music, this is still fine for me. The big problem of course is the quality of the music. As I said before I am also not willing to buy a cd for 15 Euros if I only like a single song, this would be wasted money. As Ballistic said, there are many bands that release 2 albums per year, and in between those two albums they are on tour of course... so now I wonder, how the hell is this supposed to work? How is the result supposed to sound good? Writing good songs just takes some time, of course I can write a new song every day, like this I could record a new album every 2 weeks, but would those albums be good ones? I doubt But many bands have no other choice, as I said before they can't survive by just playing gigs, they HAVE to keep releasing albums to make a bit money at least, they can't take the time that they would need to write 10 great songs and put them on an album, with luck they write one or two good ones, the rest will be fillers, but at least they can release another album and go on tour again... -------------------- Guitars: various Gibson Les Pauls / Gibson J 45
Amps: Mesa Boogie Tripple Rectifier / Triaxis / 2:90 Poweramp / Rectocabs Effects: Rocktron Intellifex / Rocktron Xpression Homepage: www.marcussiepen.com www.blind-guardian.com Check out my video lessons! |
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May 21 2008, 12:42 PM |
Great topic Marcus,
and pretty much endorse what you've already said. But just to add from a slightly different angle perhaps the large labels need to take some responsibility. Not only were they very slow in responding to the Net - as has already been said - but they have encouraged the uptake of mass consumption/consumerism AND helped encouraged the idea of (POP) music as a short lived, disposable commodity. To some extent that promotion has been with us for decades but arguably it's accelerated in the late 90s with the uptake of the Net and the development of TV programs that claim to be popular talent shows (American Idol, X Factor, Pop Idol, etc, etc, etc). Now record labels don't have to invest in and promote a group - just pick up and sign whoever wins this years competition. But because there will be a new competition next year, well lets not invest too heavily in what will become 'last year's model'. Music becomes not just a commodity but a short lived and disposable one and as such the consumer won't see any real value in it and also then won't see much harm in acquiring it by unpaid download/copying. It all becomes an issue of acquisition - you need to have the latest product but because it changes so quickly you can't keep pace (legally) and because it has such a limited time then why invest your own money in it? Here today and definitely gone tomorrow - everything becomes valueless. Within this vicious circle you now have the Net and MP3 players. The former helps us access and distribute material on a massive scale and, as has already been said, its very ephemerality and lack of embodiment just encourages us to see it as 'nothing'. Digital material has no 'real' form and so no 'real' substance and as such is a 'nothing' that can be infinitely substituted for yet more 'nothing'. MP3 players give us the ability to do this on a massive scale - no longer is there any physical involvement; down load, set the player on shuffle and you don't have to get up and change the record. You don't physically have to come in to contact with the record so again it is winnowed out in to 'nothing'. Furthermore this winnowing out and mass consumption is supported by the very scale of what we can store. A big record collection in my youth was 1000 lps but now we talk about big in terms of how many gig the player has. A big capacity now is 80-160Gb - what's that about 20-40,000 tracks or 60-120,000 minutes of music (1-2000 hours, 42-84 days, 1.5-3 months of continual play) ? Never mind finding the time to listen to it all where do you even find the time to load it all in any meaningful manner? Seriously, when I was young and bought records, just the same as you it was an event - something to look forward to and enjoy. Something that you did in an informed way but now many people just 'fill' their MP3 in order to have lots of content. My daughter does that - she fills her MP3 with anything just so that she can say it's full! Great line in an episode of the BBC comedy 'Gavin and Stacy' where the middle aged uncle announced he had bought an 80 Gig Ipod. He then looked a little chagrined when he went on to admit he only had 70 songs to put on it but he continued to explain that it had the capacity for 1000s more . Anyway, record labels have, to my mind, so far blamed the consumer for the mass consumption and commodification of music but they have also been instrumental in it. Maybe it's time for them to come up with some answers rather then just continually demanding legislation and passing the buck . -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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May 21 2008, 01:12 PM |
I absolutely agree with you Tony, you are 100% right, of course the music industry is enforcing all this by focusing on all those casting shows, there is no building up a new artist anymore. When we signed our first record deal in 87 everything was different, we had the chance and the time to grow as a band, if you get a deal today you have exactly one chance, you release one album and either you sell big time or you are dropped immediately. There is no growing anymore, just overnight success that lasts for one or two years, or immediate flops.
-------------------- Guitars: various Gibson Les Pauls / Gibson J 45
Amps: Mesa Boogie Tripple Rectifier / Triaxis / 2:90 Poweramp / Rectocabs Effects: Rocktron Intellifex / Rocktron Xpression Homepage: www.marcussiepen.com www.blind-guardian.com Check out my video lessons! |
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May 21 2008, 01:41 PM |
Lets use someone like Nickelback, when they hit the scence they were pretty unique in sound. Next thing you know another record company says...hey we need to have a group that sounds just like them. Its this constant keeping up with the Jones that is the heart of the matter. The sad fact of the matter is if Led Zepplin came out today, they would have a shelf life of about 2 years and they would disappear never to be heard from again. Again I absolutely agree. Nickelback is a perfect example, they hit the scene, delivered good albums, and suddenly you have tons of bands that sound EXACTLY like them, every record company on the planet wanted to have "a Nickelback". And unfortunately, most likely you are right about Led Zeppelin, if they would be newcomers today, I seriously doubt that they would go through the same carreer as they did back in the 70's, same for Rush or whoever you want to name here. New bands today just don't have this time to grow anymore. @ black and white: hehe, yeah, I think Madonna has some good songs -------------------- Guitars: various Gibson Les Pauls / Gibson J 45
Amps: Mesa Boogie Tripple Rectifier / Triaxis / 2:90 Poweramp / Rectocabs Effects: Rocktron Intellifex / Rocktron Xpression Homepage: www.marcussiepen.com www.blind-guardian.com Check out my video lessons! |
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May 21 2008, 05:06 PM |
Good point Jeff, cds for sure last much longer than vinyl, and yeah, learning solos was a lot of work back in the old days
But I have to say I like your idea about the Ferrari, I will look for a dealer and try to get one for free, I am sure he won't mind @ Anarox: Your thought is not really correct. I earn money when somebody buys my cd. So yes, I lose money if you download it for free from the net. You are not stealing something physically, but you are getting something that you have to pay for, without doing so, you don't pay me for the work that I have done before. You have to see it like this, first I do my job, and I get paid for this only later, but if everybody downloads music, I don't get paid at all. @ confusion: Pearl Jam? forget about them, invest your money in Blind Guardian from now on -------------------- Guitars: various Gibson Les Pauls / Gibson J 45
Amps: Mesa Boogie Tripple Rectifier / Triaxis / 2:90 Poweramp / Rectocabs Effects: Rocktron Intellifex / Rocktron Xpression Homepage: www.marcussiepen.com www.blind-guardian.com Check out my video lessons! |
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