Questions On Last Video Of Little Jazz Workshop (chords And Arpeggios), Confusion with the A Mixolydian Mode |
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Questions On Last Video Of Little Jazz Workshop (chords And Arpeggios), Confusion with the A Mixolydian Mode |
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May 8 2009, 05:06 PM |
Hey mate Thanks a lot for you kind words!
First thing first, the text is a bit confusing, and there is a small mistake as well (will fix that soon!). The mistake is that D# is not within D Beebop scale. Instead of D# it is C. So you may get the idea that I categorized A mixo in C major key, but that is not what it is all about, I've tried to show that if we modulate into C major key, A mixo would be turned into something else, and those are A dorian and A blues, cause all the notes are there, and we are actually using our C major as a minor third for the A mixo scale from D major to create a blue note. This way, our A minor/C major key can function as bluesy progression modulation, if you know what I mean. Second thing if we modulate into E major, you can also use E beebop cause it has D note, and then you will get a tonic of the D major. This is important cause this D note helps you to create a better bridge between two scales when improvising. What is important is to analyze the chords, and see what are the strong notes. If in a give progression we suddenly go to E major key type chords, this D note will help in making a transition. There are numerous combinations available, so if you have some sort of a chord progression example we can analyze it if you want mate. -------------------- - Ivan's Video Chat Lesson Notes HERE
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