Need A Clean Boost? |
|
Need A Clean Boost? |
|
|
|
|
Sep 25 2017, 09:21 PM |
Cautionary tale ...
I had Shin Juku. 1) Cheaply made. 2) It's just a darker, more mid voiced OD. The 'D' thing is way more complex than that. 3) Not good as a straight boost. There's always some gain at any level that would actually be boosting your signal. I sold it immediately, YMMV. -------------------- - Ken Lasaine
https://soundcloud.com/klasaine2/foolin-the-clouds https://soundcloud.com/klasaine2/surfin-at-the-country-hop Soundcloud assorted ... https://soundcloud.com/klasaine3 New record ... http://www.cdbaby.com/cd/kenlasaine Solo Guitar ... https://www.youtube.com/playlist?list=PLXZh...5iIdO2tpgtj25Ke Stuff I'm on ... https://www.youtube.com/playlist?list=PLXZh...b-dhb-4B0KgRY-d |
|
|
||
|
|
|
Sep 26 2017, 02:14 PM |
To be fair to the original designer, that pedal I made is truly just a straight-up Klon Centaur clone. I tried to do a good job and make a nice one, but the design is where the real artistry is. On the other hand, an original Klon is very difficult and expensive to acquire and I can't say for sure if mass produced clones are going to come as close as the one I made Todd. As for selling them...
When it comes to pedals and overdrive Mertay is the man, he seems to have tried everything. I've built a lot of different models for myself, really just to try them out long-term and learn about how they all interact. Based on what I've tried a couple that are worth mentioning are the Catalinbread Naga Viper and the Xotic RC booster. Both are boosts with some EQ control. I find that EQ feature is the most important bit because it lets you blend the tone to fit with the amp. I think the Naga Viper is particularly good and gets less attention because it's a labelled as a treble booster despite being adjustable to a fairly full range boost. As for Ryan Bruce, I subscribe and enjoy his channel for the most part. I find Youtube gear demos as a whole to be kinda boring and have low information density, you just can't translate a lot of what a product is through a Youtube video. His channel is a pretty good example of how gear companies are trying to market stuff these days, so I always take their opinions with a grain of salt. This video in particular really changed how I view his opinions. I can't blame him for trying to make a living though. -------------------- |
|
|
||
|
|
|
Sep 27 2017, 07:13 AM |
It's still a killer pedal and honestly one of the best OD's Ive ever owned. Gotta say well done on the build!! Use it every day and still get a kick out of it.
I see what you guys are saying about FLUFF. Now that he has "gone pro" he has had to price himself in to the market in order to make a living. I heard that OLA charges $2,000 per video review now!! WOW. Granted, he has a HUGE audience and MASSIVE reach. But still, 2k per video?Then again, he also has "gone pro"and has a family to support so he's also just trying to make the best living he can. The guys that have gone pro have compromised themselves to some degree out of necessity it seems, just to keep the cash flow coming in. I would really hate to have to be "that guy". If I dislike a product, I'm pretty vocal about it. If they were paying me to say good things, how could I turn in a truthful review and still be honest if I thought the product blew chunks? Thankfully, those problems are not my problems. I only praise gear that I like. When I like something, I'm pretty vocal about that too. Ibanez has never paid me a dime or given me a thing for example To be fair to the original designer, that pedal I made is truly just a straight-up Klon Centaur clone. I tried to do a good job and make a nice one, but the design is where the real artistry is. On the other hand, an original Klon is very difficult and expensive to acquire and I can't say for sure if mass produced clones are going to come as close as the one I made Todd. As for selling them... When it comes to pedals and overdrive Mertay is the man, he seems to have tried everything. I've built a lot of different models for myself, really just to try them out long-term and learn about how they all interact. Based on what I've tried a couple that are worth mentioning are the Catalinbread Naga Viper and the Xotic RC booster. Both are boosts with some EQ control. I find that EQ feature is the most important bit because it lets you blend the tone to fit with the amp. I think the Naga Viper is particularly good and gets less attention because it's a labelled as a treble booster despite being adjustable to a fairly full range boost. As for Ryan Bruce, I subscribe and enjoy his channel for the most part. I find Youtube gear demos as a whole to be kinda boring and have low information density, you just can't translate a lot of what a product is through a Youtube video. His channel is a pretty good example of how gear companies are trying to market stuff these days, so I always take their opinions with a grain of salt. This video in particular really changed how I view his opinions. I can't blame him for trying to make a living though. You make a REALLY good point here on SOLISTS vs RYTHM guys in terms of Video Reviews on gear. As a "Solo Guy" I'm always interested in how a bit of gear will impact the solos. Articulation, mid range, attack, transparency, etc. These are very important things. If I were just drop tuning to D and playing lots of open string djenting, it would be another matter entirely. without doing "solo bits" I can't tell what a bit of gear really sounds like. So folks like FLUFF that don't do much soloy stuff, leave out a big portion of the review that I REALLY need to hear. Same with OLA. Ola can make ANYTHING djent, so can fluff. That's what they do after all. They play lead bits here and there, but are mostly "Rythm Guys". So yeah, good call there. It's important to hear how gear performs outside of just CHUGGA CHUGGA. I went through my recent KLONE vids and realized that without even meaning to, I played both rythm and soloy bits to display the range of the pedal. I do it without thinking really. Then I watched fluffs vids again and realized he rarely if ever does soloy bits while doing a gear demo. At that point, you don't know how the gear will sound during a solo. Also, I need to hear muted single notes, unmuted single notes, bendy bits, picky bits, etc. Otherwise, it's just guesswork on my part as to whether said gear is gonna do the trick. I bought the Pro Tone Bulb based mostly on rave reviews back in the day as I couldn't find any vid reviews with solo bits in them! At the time it was all guys going CHUG CHUG CHUG on a detuned A flat or something That boost vid. you shared is a great example of why his (and other djent players) demo's doesn't work for me. Story;
A powerchord hungry friend of mine went to the store to try pedals. I was already not so optimistic on the djent+OD thing but he was very insistant to try and I was cool. The store had his amp (an ht-5) and we tried probably more than 5-6 pedals. I noticed the more a pedal cut lows and altered the mid.s the more he liked it, then I told him to select the neck PU and guess what...the neck PU sounded exactly like the bridge PU without the pedal Only the mesa grid slammer and a bbe clean boost (that clean boost actually cuts highs, making a beautiful lead sound on tube amps) didn't do that nonsense. His morale was lowered after the experience so I sort of educated him at the store. He ralized he was better off with a processor hooked to his amps loop for using an eq and occasonally some delay when soloing...the ht-5 already had enough gain and footswitch anyway... My only point is specially for the GMC forum members (experienced or not), when looking for gear on web watching soloists (like Todd) rather than powerchord'ers (Ryan) would be more helpful because I sense serious mentality/approach differences. As for the ts9, another friend of mine probably bought-sold 20 od's that I know of and its still the best pedal that works with his marshall JCM 2000 along with an ordinary ds1 for high-gain stuff. Anything more bassy or with presence simply won't work as good with that preamp so we have to consider amps with tubescreamers. I consider finding the right tubescreamer is just as hard for a metal guy as it is for any blues/country musician. You're very good with your hobby! its also cool that you've decided to keep thing small and fun for you. I don't really know the electric/technical side of designs but its still fun when once in a while a GMC'er shares his knowledge here This post has been edited by Todd Simpson: Sep 27 2017, 07:19 AM |
|
|
||