Blues!, How to sound more bluesy!! |
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Blues!, How to sound more bluesy!! |
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Jan 12 2009, 02:57 PM |
Hey man, first of all thank you for kind words, I'm glad the lessons could help you in any way.
Regarding your question, it is completely normal to ask yourself this and you are right in fact. In blues, it is important to mix both minor and major pentatonic scales. When blues was just starting to develop country music was very popular, and the slaves sort of adapted their own African music to that harmony. Country music has mostly major type harmony, so African slaves started to play their unorthodox scales on top of the I - IV - V sequence of major chords. These scales are now lost, because there were some quarter intervals that didn't actually exist in the western type music. So the musicians of that time sort of adapted the scales and this is how the blues scale was born. Blue note was that adaptation to western style music. Now blues music is like I said based on major type progression and minor type scales for leads. This is what makes it so special. You can play major chords, and dominant ones, and play on top of that minor pentatonic and it will sound cool and "bluesy" since this is the way the players have been playing it and calling it "blues" for almost a century now. Another interesting scale that can be used in blues is dorian mode. You can actually see that when major and minor pentatonic notes are combined, they form a sort of a dorian mode. That, in combination with blues scale and that I IV V major progression is something that gives the blues it's character. Check out for example BB King. Guys is famous because he mixes minor and major style licks very naturally. This is the essence of the blues IMO. Blues player should mix both these scales very naturally while playing and then it will sound like a real blues. Blues is that very subtle balance between sad and happy emotions, and in the end although story (blues solo) is sad, the main message of the blues (it's major progression) is happy and positive. I suggest that you learn both minor and major pentatonic scale positions, and see how they intersect and interact with each other on the guitar fretboard. Start doing it position by position. If you know the patterns it should be easier, just shift the positions and combine different patterns, and try to do both major and minor style licks while playing the blues. You will see how the true essence of blues is slowly emerging. Hope this helps man, and ask if you need anything else. Cheers! -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Jan 19 2009, 03:18 PM |
Thanks for your reply! I'll carry on with learning to mix major and minor, although, like I said, it's actually quite difficult to switch between say, pattern 1 of A minor pentatonic to pattern 2 of F# minor (A major) pentatonic. I guess practice makes perfect! No problem man, I'm here to help in any way I can You're spot on, just take your time and it will all fit into place. Learn the licks, and the scales, and in time you will start to develop a feel for combining these positions as a second nature. Cheers! -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Jan 22 2009, 03:12 PM |
Thanks for sharing man, will check out that site!
About the turnarounds, here are a couple of lessons where you can find them. In the first one you have one turnaround lick at the end of the solo, and in the second one, there are couple of turnarounds as examples: 1. https://www.guitarmasterclass.net/solo-guit...loing-beginner/ 2. https://www.guitarmasterclass.net/rhythm-gu...library-part-1/ -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Jan 29 2009, 11:36 PM |
Great recommendations mate, this will definitely be something interesting to see done!
Regarding your question, yes you can use all those scales, but when playing blues you are using note here note there, not whole scales up & down, so this is why it works nicely. Many of these 6 pentatonic scale have the same notes in common, so using them is a nice way to play the blues - it's just depends how you look at things. -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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Feb 6 2009, 09:57 PM |
QUOTE So, with regard to your lesson, which notes from the C minor pentatonic would it be best to avoid? I've done a bit of 'homework', and I've come up with following regarding the three scales: F major - F-G-A-Bb-C-D-E Bb major - Bb-C-D-Eb-F-G-A C major - C-D-E-F-G-A-B F min pent - F-Ab-Bb-C-Eb F maj pent - F-G-A-C-D Bb min pent - Bb-Db-Eb-F-Ab Bb maj pent - Bb-C-D-F-G C min pent - C-Eb-F-G-Bb C maj pent - C-D-E-G-A This way of analyzing the scales is good and it is very useful to check out all the possible combinations that you can use when using the F Bb C progression. Good job mate! QUOTE The major pentatonic scales obviously contain all the correct notes from the major scale, whereas the minor pentatonic scales contain some major scale notes plus the min 3rd, and the min 7th, both of which I've learned are great for blues! Not forgetting the b5th, and 6ths. This seems to apply to all three scales. It's pretty clear that you could mix the major and minor pentatonic over each chord with the same root, ie C maj/C min pent over the C major chord, but did you mean that any of the pentatonic scales would fit over any of the chords, (as they're all related!), but that it's best to avoid some notes from the C min pentatonic scale when playing over the F major or Bb major chords? When soloing it is all about using couple of notes from that scale, and couple of notes from that if you know what I mean mate. So mixing Fmajor/Fminor pentatonic is good in most situations, but not always will work to mix other two pairs of scales (C and Bb). When playing the solo in the blues it is good to use your ear and see what sounds good. Generally when I play the F Bb C progression I don't think about the Bb and C scales at all, I just use F dorian mode, F major/F minor, and F blues scales for mixing them. QUOTE Sorry if I'm getting a bit bogged down in the theory, but I like to understand what's going on! I'll try to move on now!! Ps just bought two Albert King CDs - 'Born Under A Bad Sign' and 'Blues At Sunrise'. I can highly recommend these as they contain some excellent tracks, (I guess you already know these albums!), and you can certainly hear where Clapton's influence came from! Not at all mate, I share your enthusiasm! Great to hear you're listening to Albert King. The guy is just brilliant, a true legend. Eric Clapton sure picked up a lot of stuff from him and other bluesman of that time. After all Eric was just a kid then and these guys were banging hard core blues in the US back in those days! He's a great person to be an influence to any guitar player IMO. QUOTE PPS - Just had a moment of clarity actually!!! The C minor pentatonic contains the Bb and Eb from F major and B major, but it might sound a bit dodgy if you play the Eb over the F major chord, for example! It's starting to make sense!! (You could of course play the Eb on purpose to suggest an Fdom7 chord). I hope all of this struggling with theory turns out to be worth it. Sometimes too much theory can slow you down.......!! Very Interesting though... Definitely right mate! The whole point is to choose those notes that sound and fit together. You can discover them the best through playing, and explain them through theory later to understand. -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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