Why Professional Mastering Matters., A report from the British Music Producers Guild
Saoirse O'Shea
Oct 4 2012, 12:29 PM
Moderator - low level high stakes
Posts: 6.173
Joined: 27-June 07
From: Espania - Cadiz province
There's a recent report form the Britsh Music Producers Guild that highlights some of the problems artists find when they 'self-master' or use inexperienced mastering engineers.

Here's a quote:

'In recent months this issue [technically incorrect masters and/or wrong issues] has affected a number who have faced potential bills for incorrectly manufactured CDs because proper measures were not adhered to.

"This is a very serious issue that the whole industry needs to address," Ray Staff added. "We live in a world where, other than vinyl, we are moving away from physical masters to the online delivery of CD masters and files for downloads. It is imperative that guidelines are followed to ensure that the right files and masters are delivered and to provide mastering engineers with some protection in case of mistakes by others. Many of those working in the mastering business already know the process but there are a lot of people who are new to mastering or are working in small home-based facilities that need guidelines and need a structure that establishes a clear chain of responsibility." '

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A little differently but to hghlight this issue... A few months back we were asked to quote to produce a redbook master. The artist decided that our quote was too expensive and he decided to use the servies or a mixing engineer who 'masters' as a side line. (The difference in the two quotes came down to about £2 per track.) So the mix engineer mastered and issued the redbook PMCD CD to the duplication plant and 2500 CDs were pressed. They all contain digital whitenoise as the PMCD has unrecoverable errors and there are other issues with CD text etc. The artist and the mix engineer are arguing over who pays for those cds at the moment as at present all they are good for is a drinks mat.

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