This Is What We Called Shredding ... |
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Jul 15 2013, 01:30 AM
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an what about this guy? I would consider this playing Shred, but in this case I can also hear music, not just fast notes.
-------------------- My lessons
Do you need a Guitar Plan? Join Gab's Army Check my band:Cirse Check my soundcloud:Soundcloud Please subscribe to my:Youtube Channel |
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Jul 31 2013, 10:47 AM
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You can't kill the shred..
This is famous serbian shredder (now lives in Sweden , maybe he could work for Gmc, huh  )Here's another one Serbian , and well famous in world |
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Jul 31 2013, 12:54 PM
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Jason Becker is insane player. But back then We would call him virtuoso
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Jul 31 2013, 12:57 PM
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QUOTE (Darius Wave @ Jul 31 2013, 11:54 AM)  Jason Becker is insane player. But back then We would call him virtuoso Exactly, shredder + musician = virtuoso 
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Jul 31 2013, 01:45 PM
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QUOTE (sammetal92 @ Jul 31 2013, 08:57 AM) Exactly, shredder + musician = virtuoso I would say: shredder + musical = virtuoso -------------------- My lessons
Do you need a Guitar Plan? Join Gab's Army Check my band:Cirse Check my soundcloud:Soundcloud Please subscribe to my:Youtube Channel |
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Jul 31 2013, 03:46 PM
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QUOTE (Gabriel Leopardi @ Jul 31 2013, 12:45 PM) I would say: shredder + musical = virtuoso  Agreed
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Aug 1 2013, 09:03 AM
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Ok...You win ha ha
))
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Aug 1 2013, 09:41 AM
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QUOTE (Darius Wave @ Aug 1 2013, 10:03 AM) Ok...You win ha ha ))
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Aug 4 2013, 11:56 PM
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I love how terms change meaning as music itself changes. Here is a recording from one of my bands in 1974. It's based on the whole tone scale. I practiced like a demon in those days, and my band rehearsed for 3-4 hours a day. We also played a ton of gigs, which was possible back then. I think music will suffer immeasurably by the lack of playing opportunities. People can improve their individual playing without gigs, but I have noticed that rhythm guitar playing nowadays has really gone downhill. This is completely normal when you are not playing with a band.
Here is the 1974 recording: https://www.youtube.com/watch?v=aJTTXrR9New |
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Aug 5 2013, 09:09 AM
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QUOTE (Larry F @ Aug 4 2013, 10:56 PM) I love how terms change meaning as music itself changes. Here is a recording from one of my bands in 1974. It's based on the whole tone scale. I practiced like a demon in those days, and my band rehearsed for 3-4 hours a day. We also played a ton of gigs, which was possible back then. I think music will suffer immeasurably by the lack of playing opportunities. People can improve their individual playing without gigs, but I have noticed that rhythm guitar playing nowadays has really gone downhill. This is completely normal when you are not playing with a band. Here is the 1974 recording: https://www.youtube.com/watch?v=aJTTXrR9New This is probably the reason why many important, well known guitar masters repeat all the time "go out and play with people"
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Aug 6 2013, 12:51 PM
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I've never heard of Fareri until Yesterday when I read this thread.. This morning i accidentally saw an article of him (just pulished) where he speaks about shred. I like it very much, i never thought of shred in this way. Unfortunately is in italian ( http://www.musicoff.com/node/11089 ) so i decided to traslate the main parts for you, here's the text ( sorry for errors) :
"Hi! my name is Francesco Fareri and I'm a guitar player, since when i started learning guitar i have been fascinated by classical music and by composer like Chopin, Paganini, Bach and Mozart and found in their music a hugeness of notes plenty of emotions, colors and hues, but most important thing, notes and again notes without losing sight the central musical idea, just listen to "Etude n.1 op.10" of Chopin to understand what i mean...." The massive usage of technique is called "Virtuosismo" or "Shred". With this term we refer to the use of fast notes sequences, using the guitar technique at its best. Very often this term is associated with "cold" guitarist who play tons of notes without feeling, indeed this aspect of the technique is very debated, but we can surely say that technique allows us to play any musical piece; the technique gives colors to what we play, it's up to use not over use it. As i said every techniques has its own color, its hue, and these are due to the fundametal characteristics of the technique itself. For example we recognise the aggressivity of the alternate picking contrapposed to the fluidity of a legato phrase....; sweep picking gives instead a "wave effect" alternating low and high notes passing through the middle notes may makes us think to black and white and all the grey hue in between: All of this is technique. The guitarist who is able to play all this hue, to mix them, to find interesting sequences, to create a guitar solo in which technique is only a a mean of expression, to transform his technical ability into passion, is also a musician... " |
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