Kosei Kubota (classical) |
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Kosei Kubota (classical) |
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Oct 15 2007, 03:00 AM
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QUOTE ???? ?????? ?????????????????????????????????????????????????????????????????? ?? Hrm, for some reason the script did not come out in the post! -------------------- Ticking away the moments that make up a dull day. Fritter and waste the hours in an offhand way http://www.myspace.com/cashnz |
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Oct 16 2007, 06:42 AM |
Hey Kosei, maybe you know something about this?
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Oct 16 2007, 09:35 AM |
Hey Kosei, maybe you know something about this? It sure does sound familiar. Are you sure this is a piano piece? I remember this tune played by strings. I'll keep it humming and when I come across that tune, I will post it! KK Hrm, for some reason the script did not come out in the post! I don't know why my Japanese doesn't show. I can read yours. Maybe because I use Mac? -------------------- |
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Oct 20 2007, 07:14 AM
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hey i just found this and i didnt know if it would upset you or not
http://www.guitarmasta.net/m/misc_traditional/281276.html - nevermind andrew cleared everything up for me This post has been edited by krawetz: Oct 20 2007, 07:29 AM |
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Oct 22 2007, 02:17 PM |
hey i just found this and i didnt know if it would upset you or not http://www.guitarmasta.net/m/misc_traditional/281276.html - nevermind andrew cleared everything up for me Oh, a competitor! Just kidding. It's a such a famous piece and a good introduction to finger picking style, so I wouldn't be upset. -------------------- |
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Nov 1 2007, 10:46 AM |
Well, I think I remember hearing it on piano... Hey! I suddenly remember that it might be Haydn Trumpet Concert. Listen to the third track here: http://www.amazon.com/London-Concert-Haydn...1804525-2714436 -------------------- |
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Nov 1 2007, 05:38 PM |
Aah, yes, it all comes back to me now... It was a trumpet I had heard in the first place, and I didn't remember the piece correctly... Thanks Kosei!
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Dec 22 2007, 06:41 AM |
Kosei, could you explain the theory behind counter points; how to write/utilize them ect? Thanks Hi, Spider! Well, it will take a series of serious courses to explain counterpoint theory.. But, if I make it really simple, it will be something like this: 1. Compose one line (single part) music. (or, you can borrow a line from someone else's) 2. Add another line that goes nice with the first one. When doing this, the intervals between two lines creates tension and release. Dissonant intervals, such as minor/major seconds, tritone, minor/major seventh, have tension, and they need to be prepared by consonant intervals and released into consonant intervals. Examples: -------- ---0-1- -2----- -3-3-2- -------- -------- sounds better than: -------- ---0-1- -2----- -3-2-0- -------- -------- The intervals between two lines are: The first one: major 3rd - tritone - minor sixth The second one: major 3rd - perfect 5th - minor seventh The first one has tritone as a dissonant interval. It is prepared by the consonant major 3rd, which has the same bottom note with this tritone. And this tritone resolves into consonant minor sixth. The second one has minor seventh as a dissonant interval. It is not prepared, because none of the notes are not in common with the previous ones. It ends with dissonant intervals. That's why it does not sound right. There are many other rules and exceptions, but I think these two examples will give you an idea of what it is like. I found Wikipedia explains counterpoint well. http://en.wikipedia.org/wiki/Counterpoint Good luck! KK -------------------- |
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Dec 24 2007, 02:09 AM |
A capo is fine on nylon strings ...
-------------------- Check out my Instructor profile
Live long and prosper ... My Stuff: Electric Guitars : Ibanez Jem7v, Line6 Variax 700, Fender Plus Strat with 57/62 Pickups, Line6 Variax 705 Bass Acoustic Guitars : Taylor 816ce, Martin D-15, Line6 Variax Acoustic 300 Nylon Effects : Line6 Helix, Keeley Modded Boss DS1, Keeley Modded Boss BD2, Keeley 4 knob compressor, Keeley OxBlood Amps : Epiphone Valve Jnr & Head, Cockburn A.C.1, Cockburn A.C.2, Blackstar Club 50 Head & 4x12 Cab |
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Dec 24 2007, 10:58 AM |
Yeah, I use capo on my classical guitar, too.
Kosei -------------------- |
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May 23 2008, 06:32 AM |
Kosei, I just wanted to say that your classical guitar lessons are great... And it would be nice if you made a lesson about some Chopen's piece.. If that's possible of course (I'm aware that almost all of his compositions are composed for piano) Yeah that's what I wanted to asked you as well. I think there are very few Chopin transcription for guitar. I love Chopin, I own a great CD. It is a Cello and Piano Duo; it is absolutely beautiful. My favourite is his Nocturne in C sharp minor...I really really love it !!!I don't know if it could be played on classical guitar well but maybe you will soon come up with some great Chopin lesson...Thanks for your great lessons so far....and check that out guys: (Everybody who has seen "the pianist" probably knows that piece...) https://www.youtube.com/watch?v=YUIPN9_UOAs...feature=related This post has been edited by Nighthawk: May 23 2008, 08:56 PM |
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May 24 2008, 05:13 PM |
I found some Chopin transcriptions by Francisco Tarrega.
I will look for shorter piece, maybe a Prelude, for GMC lesson. Kosei -------------------- |
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