fusion lick, phrasing, jazz lick, jazz, Scott Henderson, Greg Howe, Franck Gamballe, Allen Hinds, Steve Khan, Alex Machacek, Allan Holdsworth, Al Di Meola, Mike Stern, Bill Connors, Jeff Beck, Hiram Bullock, Wayne Krantz, Larry Carlton, Brett Garsed, Bireli Lagrene, John Scofield, John McLaughlin, Pat Metheny, Shawn Lane, Michel Cusson, Sylvain Luc, Larry Coryell, Louis Winsberg, Stephane Lucarelliby Stephane Lucarelli
Kiko Loureiro, George Bellas, Michael Angelo Batio, Michael Romeo, Malmsteen, tapping, fast runs, alternate picking, Angraby Thiago Trinsi
Scrubbing / forward / rewind: arrow right, arrow left keys Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player) Go to next part: PageUP or End. ( iOS: swipe right or left over video ) Volume: ArrowUp / ArrowDown keys Go to any part: Number keys (combinations also possible) Pause or play: `k` or space key Fullscreen: `f`, esc to close
This time we will be learning 2 very unique picking runs used by John McLaughlin.
"John McLaughlin (born 4 January 1942, Doncaster, West Riding of Yorkshire, England), also known as Mahavishnu John McLaughlin, is an English guitarist, bandleader and composer. His music includes many genres of jazz, and rock, which he coupled with an interest in Indian classical music to become one of the pioneering figures in fusion." - Wikipedia
John is well known in guitar circles for his awesome alternate picking technique and his mind blowing runs, which seem to erupt out of nowhere. What's so impressive about John's blistering runs is that he can be playing something very sedate and then an ultra fast burst comes out of nowhere. He doesn't need to 'wind it up' to get the speed going, it's instant.
John doesn't follow the usual diatonic 3 note per string sequences beloved of so many of us rock and metal players. Instead, he's very inventive with his use of intervals and puts together sequences of notes which take a bit of getting used to.
I've presented the runs to you in an ascending and descending format whilst running through the modes of C Major. So, not only do you learn some awesome licks that John plays but this lesson serves as a picking exercise, warm up and a very useful reference point for students learning the modes.
You'll be using a clean guitar setting, not only to sound like John but to help keep your ears focused on cleanliness of technique. Ready? Go!
Tempo: 85 bpm
Tuning: E A D G B E - Standard Tuning
Compression, EQ & Reverb added to a clean guitar signal. Guitar recorded through a D.I. into an Edirol UA-25
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