Smooth phrasing, left-hand vibrato, dead notes, legato, alternate picking, bending, staccato etc. Scale wise it's the same as in other levels, B Dorian, B Blues Scale and C Dorian at the end when it modulates into Cm key.

In here we are going to explore phrasing using wider intervals to give more color to our playing. Scale wise it's still B Dorian basically, B Blues scale here and there, a few neighbor notes and that's all.

Inspired by great fusion players like Greg Howe, Guthrie Govan, Bret Garsed etc I tried to combine many techniques, timings, odd grouping, smooth phrasing and on and on.

I invite you to travel deep into my head, and explore what goes on in my mind when improvising.

Does everybody on the Internet have a better guitar than you? Fear not - your nylon string is also a fantastic instrument.

How to build some simple fusion melodic ideas with short licks that you can use as a starting point while composing.

Hybrid picking is responsible for some of the craziest runs out there. Let's discuss how to get started with it - and what you can do with it.

In this lesson David Wallimann combines several things to create a fusion lead on a minor blues in C. A very important aspect of this lesson is the rythm spacing. Some tension is added with the use of the blue note.

Learn six killer licks that will serve as the basis for your jamming!