Recabinet Computer Speaker Emulator

Revision as of 08:04, 28 October 2009

A quarry

General Information

Original Author: Staffay

Weapon: Computer Cabinet Simulation/Impulses

Make: Recabinet

Model: Complete v. 2.01 (Vintage/Modern)

Price: 14.99$ (normal prize 75$)

Introduction

Recabinet is a very unusal product, since it's actually is no software in itself. It consists of impulses sampled from guitar speaker cabinets, that can be loaded in different host applications like Peavey Revalver, Guitar Rig 4, Studio Devil, Overloud TH1 and others. (these are software guitar amp simulators ed.note) There are also some free host applications one can use for hosting the emulations, which can also be used together with the line-out of Your favourite amp.

Product Description

As stated above Recabinet is a set of speaker impulses, taken from a lot of cabinets with different microphones. In order to understand what a speaker impulse is, the following applies:

When a cabinet impulse is made, the first thing that is done is setting up a guitar cabinet, microphone, and room acoustics to achieve a good tone, just like you would if you were about to record a real track, in a real studio. Then, once things are sounding just right, a short tick, or pop, is played through the cabinet to record the way in which that particular setup responds to a short electrical burst. The recorded response to this short tick is known as the “impulse response” for that particular setup. Every setup has a different impulse response, if you move the mic, change the speaker, do it in another room, change anything at all... then you have a different impulse response, just like a fingerprint, unique to that particular setup.

The impulse response is basically just a recorded audio file, typically saved in WAV or AIFF format, and it’s usually pretty short. After all, it’s just the recording of a short tick played though a speaker in a room. They can be mono, or stereo, depending on how many mics were used in the setup, and they usually don’t run more than 1 second, with lengths of 2000 to 4000 samples being more common for short impulses from guitar cabinets. Before these WAV / AIFF impulse files are saved, they are carefully trimmed and sliced so that there is no leading or trailing silence, much in the same way that loops are cut down with sample accuracy to their start and end points. This is done so that the impulses can be used without introducing unwanted latency and to be kept as short as possible to keep CPU usage down. Large impulses take more CPU power to use than smaller ones, so keeping them as small as possible is always a good thing.''

What Recabinet has done is to take some of the best cabinets found and miced them up with different microphones, angles and different combinations to make a collections of simulations that can be used in a computer to simulate a real cabinet. Since it's possible in a DAW to have several instances of the product running, it's possible to emulate several cabinets and microphones/placements at the same time.

Sound

Feel

Overall Impression

Alternative Weapon

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Specifications

Cabinets •“Tangerine 4×12” - Orange 4×12
•“1960 4×12″ - Marshall 1960AV 4×12
•“Excel 4×12” - Randall RS412XLT100 4×12
•“Ghandi 4×12″ - Mesa Standard 4×12 (newly resampled for version 2.0)
•“Motown 1×15″ - Ampeg Portaflex B15N bass amp.
•“Blackface 4×10″ - Fender ‘65 Super Reverb 4×10
•“Tweed 1×12″ - Fender ‘53 Deluxe 1×12
•“Green 4×12″ - Marshall 4×12 with Greenbacks
•“Zodiac 2×12″ - Selmer Zodiac Twin 30
•“Top Boost 2×12″ - Vox AC30

Microphones •“57″ - Shure SM57 - industry standard dynamic microphone, the most popular microphone for guitar recording.
•“545″ - Shure Unidyne III 545 - sought-after vintage predecessor to the Shure SM57, known for its smooth response, appreciated by those in the know.
•“121″ - Royer 121 - legendary modern ribbon mic, extremely popular in modern recordings.
•“409″ - Sennheiser MD409 - legendary vintage side-address dynamic microphone, used on many modern and classic recordings.
•“421″ - Sennheiser MD421 - legendary dynamic mic, used on many modern and classic recordings.
•“i5″ - Audix i5 - modern industry standard dynamic microphone, for a full-range, aggressive response.
•“D6″ - Audix D6 - modern kick drum mic, great for getting the low “cabinet rumble” tone as a blend-in with your primary tone.
•“U87″ - Neumann U87 - legendary condenser microphone with incredibly detailed, musical response.
•“RTA” - DBX RTA reference microphone, known for its perfectly flat response and high SPL rating. Useful especially for Fractal Audio AxeFX users, and cool for everyone else!

Recabinet Modern 1.0 (included)
•“Ghandi” - Mesa Standard/Oversize 4×12 •“Angora” - Line 6 Vetta 4×12
•“Igor” - Krank Krankenstein 4×12
•“Genzie” - Genz Benz G-Flex ported 2×12
•“Sterling” - Marshall Hand Wired 4×12 (late 1960s reissue)
•“Damien” - Marshall 1936 2×12
•“Kirby” - Carvin 4×12 British Series
•“Manatee” - Ampeg SVT 8×10 Bass Cabinet (using Ampeg SVT Pro Classic power section)
•“Trapezoid” - Roland Micro Cube (using native power section)

These cabinets were sampled using the Universal Audio 610 tube mic preamp, with the following mics:

•“57″ - Shure SM57 - industry standard dynamic microphone, the most popular microphone for guitar recording.
•“i5″ - Audix i5 - modern industry standard dynamic microphone, for a full-range, aggressive response.
•“4060″ - Audio Technica 4060 - modern high-SPL condenser microphone, for warm, full-bodied tone.
•“D6″ - Audix D6 - modern kick drum mic, great for getting the low “cabinet rumble” tone as a blend-in with your primary tone.