Template:Portal:Theory/Featured Lesson

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<u> ''' [[The Harmonic Minor (lesson) |The Harmonic Minor]]''' </u>
<u> ''' [[The Harmonic Minor (lesson) |The Harmonic Minor]]''' </u>
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''The Harmonic minor scale is a variation of the minor scale in which the 7th degree is sharpened compared to the natural minor (which make is a major 7th instead of a flattened 7th).
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''The Harmonic minor scale is a variation of the minor scale in which the 7th degree is sharpened compared to the natural minor (which make is a major 7th instead of a flattened 7th).''
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''
The resulting scale sounds a little odd and exotic, since the introduction of the major 7th leaves a 3 semitone gap which is a little unusual in western music. In contemporary music, this scale is beloved of neoclassical guitarists and is an important weapon in any one's arsenal. It is a very defined sound and can be overused, but used sparingly it can lend a very exotic feel to an otherwise normal piece..." ''[[The Harmonic Minor (lesson) |(more)]]
The resulting scale sounds a little odd and exotic, since the introduction of the major 7th leaves a 3 semitone gap which is a little unusual in western music. In contemporary music, this scale is beloved of neoclassical guitarists and is an important weapon in any one's arsenal. It is a very defined sound and can be overused, but used sparingly it can lend a very exotic feel to an otherwise normal piece..." ''[[The Harmonic Minor (lesson) |(more)]]
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<u> ''' [[Suspended, Added Tone Chords (lesson) |Suspended, Added Tone Chords]]''' </u>
<u> ''' [[Suspended, Added Tone Chords (lesson) |Suspended, Added Tone Chords]]''' </u>
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''In this lesson, we are taking our understanding of chords to the next level! We have looked at triads, sevenths and even extended chords, but there is more! Once again, we can modify the combinations of notes in our chords in some ways that are different again to get more cools sounds!
+
''In this lesson, we are taking our understanding of chords to the next level! We have looked at triads, sevenths and even extended chords, but there is more! Once again, we can modify the combinations of notes in our chords in some ways that are different again to get more cools sounds!''
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+
''
Until now we have been following a simple principle of stacking notes on top of each other. That lead first to triads, then 7th chords, and finally into the world of extended chords such as 9ths, 11ths and 13ths. In this lesson, we are going to reign back the stacking a little and look at other ways of combining chords principally by adding and substituting notes rather than just plain stacking..." ''[[Suspended, Added Tone Chords (lesson) |(more)]]
Until now we have been following a simple principle of stacking notes on top of each other. That lead first to triads, then 7th chords, and finally into the world of extended chords such as 9ths, 11ths and 13ths. In this lesson, we are going to reign back the stacking a little and look at other ways of combining chords principally by adding and substituting notes rather than just plain stacking..." ''[[Suspended, Added Tone Chords (lesson) |(more)]]
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<u> ''' [[Moving the boxes (lesson) |Moving the boxes]]''' </u>
<u> ''' [[Moving the boxes (lesson) |Moving the boxes]]''' </u>
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'' "So you know all the boxes in a C major scale because that's what was in your theory book, but you need to write a solo in A. What do you do? How do you apply all of your scale knowledge to writing in a particular key? How do you take something written by someone else and change its key? In this lesson we will look at how to do all of the above.
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'' "So you know all the boxes in a C major scale because that's what was in your theory book, but you need to write a solo in A. What do you do? How do you apply all of your scale knowledge to writing in a particular key? How do you take something written by someone else and change its key? In this lesson we will look at how to do all of the above.''
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''
For the record, transposing means changing the key of a sequence of notes without affecting their harmonic relationship - we will look into that as it is closely related to scale selection and moving boxes around the neck to get the scale you want...[[Moving the boxes (lesson) |(more)]]"''
For the record, transposing means changing the key of a sequence of notes without affecting their harmonic relationship - we will look into that as it is closely related to scale selection and moving boxes around the neck to get the scale you want...[[Moving the boxes (lesson) |(more)]]"''

Revision as of 13:14, 13 December 2009

The Harmonic Minor

The Harmonic minor scale is a variation of the minor scale in which the 7th degree is sharpened compared to the natural minor (which make is a major 7th instead of a flattened 7th). The resulting scale sounds a little odd and exotic, since the introduction of the major 7th leaves a 3 semitone gap which is a little unusual in western music. In contemporary music, this scale is beloved of neoclassical guitarists and is an important weapon in any one's arsenal. It is a very defined sound and can be overused, but used sparingly it can lend a very exotic feel to an otherwise normal piece..." (more)



Suspended, Added Tone Chords

In this lesson, we are taking our understanding of chords to the next level! We have looked at triads, sevenths and even extended chords, but there is more! Once again, we can modify the combinations of notes in our chords in some ways that are different again to get more cools sounds! Until now we have been following a simple principle of stacking notes on top of each other. That lead first to triads, then 7th chords, and finally into the world of extended chords such as 9ths, 11ths and 13ths. In this lesson, we are going to reign back the stacking a little and look at other ways of combining chords principally by adding and substituting notes rather than just plain stacking..." (more)




Moving the boxes

"So you know all the boxes in a C major scale because that's what was in your theory book, but you need to write a solo in A. What do you do? How do you apply all of your scale knowledge to writing in a particular key? How do you take something written by someone else and change its key? In this lesson we will look at how to do all of the above. For the record, transposing means changing the key of a sequence of notes without affecting their harmonic relationship - we will look into that as it is closely related to scale selection and moving boxes around the neck to get the scale you want...(more)"



The Melodic Minor

"The Melodic minor scale was an attempt to "fix" the problem caused by the large 3 step interval in the harmonic minor without sacrificing the leading tone (for more details on this see my lesson on Minor Scales Revisited). The resulting scale is a harmonic minor with a sharpened 6th (meaning it reverts back to a major 6th). This means we end up with what is basically a major scale but with a flattened 3rd. Since the 3rd is the truly important indicator of major vs minor, this works out reasonably well in practice, and is better suited to melody than the harmonic minor, at least in classical terms..." (more)



Degrees of the Scale

"In this multi part lesson we are going to build on our knowledge of the major scale, and start looking at a couple of key concepts around chord and harmony construction. When we are done, you'll be able to understand complex relationships between notes, harmonize a lead line, construct a B augmented chord, and leap tall buildings in a single bound ..." (more)




Simple Harmonies

"Today we are going to look at how we can put the knowledge we have so far to good use and learn a little about harmonization. This is a fascinating subject, and we are going to look at the basics in this lesson, and then some more complex ideas in a later lesson.

A lot of you probably know what harmonization is when you hear it but how to explain what it actually is? Well, in simple terms it is enhancing a melody line by playing notes at the same time either higher or lower than the melody note itself. OK, that is a simple explanation and not exact by any means, but it gets us started. The next question is which notes? Will any notes do? For harmonization, no, we have some specific ways of picking out the notes we use - they all have a very definite relationship to the melody we are harmonizing..." (more)



Modal Pentatonics

"Modal Pentatonics are a very different way of recycling and re-using your old pentatonic patterns in a new context to get a fresh sound without learning a lot of new scales. Although the theory behind them is a little complex if you aren't familiar with the major modes, by the end of the lesson we will have a list of rules for the use of Modal Pentatonics, so that you can work out which scales work in which context..." (more)



Triads

"Hi all, if you have been following along so far, you now know about the degrees of the scale and intervals. We're now going to start putting this to work for us in part 3 of the series - triads.

First of all, what is a triad? Well, its the simplest type of chord, one consisting of 3 distinct notes. Another way to look at it is as 2 intervals stacked on top of each other, sharing the middle note of the three. Basic chords such as C, F, G, E etc all qualify as triads, because although you may be able to play them on all 6 strings in some cases, there are only 3 distinct notes, some of which may be repeated. As the simplest of chords, triads are probably among the first chords you learnt as a beginner. In fact, triads are very versatile, and you can go a long way with them..."(more)



Harmonics

Want to learn the theory behind harmonics? Check out Andrew's lesson.

Natural harmonics, pinch harmonics, artificial harmonics, tapped harmonics - what are they? What is a harmonic anyway? Lets see ..." (more)



Cadences

Cadences can be seen as 'musical punctuation'.

A cadence is a formula that signifies the end of a musical phrase, like punctuation in written language. For our purposes a cadence may be regarded as a harmonic formula, usually consisting of a pair of chords, that also often has the important function of defining the key of the music.

Cadences give phrases a distinct finish, which can, for example, show the listener whether the piece is to be continued or concluded..." (more)