Free Tube Compressor From Native Instruments |
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Dec 17 2013, 02:26 AM
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Now until DEC 23rd, NATIVE INSTRUMENTS is GIVING AWAY!! Their TUBE COMPRESSOR plugin
 http://www.native-instruments.com/en/produ...s/supercharger/ 
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Dec 17 2013, 11:02 AM
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God bless You Todd
 Gotta download it immediately !
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Dec 20 2013, 10:38 PM
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BUMP!!! FREE compressor plugin? Get it quick!! It turns in to a NON FREE plugin after xmas QUOTE (Todd Simpson @ Dec 16 2013, 08:26 PM)  Now until DEC 23rd, NATIVE INSTRUMENTS is GIVING AWAY!! Their TUBE COMPRESSOR plugin http://www.native-instruments.com/en/produ...s/supercharger/ Anytime!! Merry XMAS!! I"ve been using this and I can't believe it's FREE!!! IT's got a really warm/tubey quality to it that I typically expect to pay through the nose for!!QUOTE (Darius Wave @ Dec 17 2013, 05:02 AM) God bless You Todd Gotta download it immediately ! |
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Dec 20 2013, 11:12 PM
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Thanks Todd!
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Dec 21 2013, 12:10 AM
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Thanks Todd! Downloaded already but my OS is not current enough
 Need 10.7, have 10.6. --------------------  |
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Dec 26 2013, 05:43 PM
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Thanks for the heads up - I got it. I haven't installed it yet though hope there is no specific time limit or something?
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Dec 28 2013, 12:41 PM
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QUOTE (jstcrsn @ Dec 27 2013, 02:38 PM) how would this differ from the one that reaper comes with or should I use this insted or is this just another tone I need to be aware of in case I need it, and now that I read what I typed , all of the above seems appropriate , but I would still like a professionals opinion Afraid I don't have either this one or the ones that come with Reaper so this is going to be little more than an educated guess. The one's in Reaper are probably based around trying to emulate a general VCA type comp and may well aim more at a neutral overall tone. The more complicated ones should also probably have more controls that allow for adjustment of time factors including attack and release and should also offer ratios up to and including brickwall limiting. As such the should be a sort of 'swiss army knife' of a compressor - not necessarily the best comp for any particular job but ok/good for many. The NI one looks more like it is loosely based on emulating either a simple optical or a vari-mu comp design. These are often viewed as being very good on some types of audio but not suitable for others: most optos, for instance, are considered to sound 'musical' but do not have very fast attack and release times and so can't respond quickly enough to very fast transients. Further, the NI marketing seems to place a lot of emphasis on it's 'tube' type sound and that implies that it is adding overtones/harmonics to the original signal in order to emulate a tube design. That may be good but it will depend on source material, how well the NI emulates a tube and so on. It may well be a case of it is best used in moderation but becomes too obvious if pushed or used too much. Pro studios don't have a single comp we have many and use different ones for different purposes. Overall what works best is to have a range of comps and to experiement with them. That by the way is what often differentiates the pro from a good project studio - it's not just having the tools but the experience to know which to use, why and how. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
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