Metal Tone Lab Thread, In with the dry, out with the metal |
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Metal Tone Lab Thread, In with the dry, out with the metal |
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May 7 2010, 06:11 PM |
On my way to work this morning I was thinking about my last thread (https://www.guitarmasterclass.net/guitar_fo...showtopic=35029) on achieving a good recording tone. Thanks everyone for the replies - I have my homework to do and would appreciate help along the way in understanding better how to achieve it. Most notably, learning which effect affects the signal in which way - e.g. how do things like compression affect the sound audibly, not techicnally (I know what it does).
I thought it might be interesting to start a "Tone-Lab" thread. The challenge is this: Ultimate Guitar forum has a VST Plugin Guide stickied that I think would be fun to piggy back off of for learning and experimenting with Plugin tones. http://www.ultimate-guitar.com/forum/showt...d.php?t=1131250 In that thread is a riff already recorded in dry-tone (no effects, just straight line in). If you'd like to take the challenge, see what kinds of metal tones you can generate from that file and post your results including what plugins, effects and settings you used to get that tone. The audio files are here: https://dl.getdropbox.com/u/371262/ThrashTest.rar Christian A. ------------------------------------------------------------- Results to date: ------------------------------------------------------------- Guitar Rig 4 (uploaded by ozRob) Lead left: Puppetmaster Lead right: YNGW Rhy Left: Dual Ultra Rhy Right: Dual Riff Sonic maximizer globally File: Guitar Rig 4 Notes: imported into daw, added G4 presets, BBE globally. No EQ or other effs. Waves GTR 3 (uploaded by Artemus) Rhythm Left: "Crunch" amp; 4x12 Standard; Dyn57 - on axis Rhythm Right: "Monster" amp; 4x12 Standard; Dyn57 off axis Lead Left: "Shredder" amp; 2x12 OpenBack; Dyn409 - on axis Lead Right: "Scorch" amp; 2x12 ClosedBacl; Dyn409 - off axis GTR.wav ( 4.67MB ) Aradaz amp (uploaded by Artemus) Rhythm Left: Aradaz Green Rhythm Right: Aradaz White Lead: Sumulanalog Marshall JCM + Simulanalog Univox Uni-Vibe Aradaz.wav ( 5.7MB ) Amplitude 2 (uploaded by Artemus) Using all presets in Heavy Metal style folder: Rhythm Left: "Dualamp powerrhythm" Rhythm Right: "Dualamp pwrchrds" Lead: "Solo" Amplitude.wav ( 4.57MB ) Amplitude Metal (uploaded by Todd Simpson) price: ~$99USD Presets: unspecified. Ozone on drums, minimal production in terms of compressors, EQ, mixing, mastering etc. AmplitudeMetal.wav ( 4.38MB ) Amplitude Metal #2(uploaded by Todd Simpson) price: ~$99USD Presets: Randall Warhead 300 + Fender MH-1 Cabinet + Rack Tube Compressor + Neuman condenser Mic. *see post #27 for image of settings. Amplitude_v2.wav ( 4.55MB ) ReValver MKIII- Peavy (uploaded by Ivan Milenkovic) Price: ouch ~ $299.00USD Presets: unspecified. Effects: unspecified test1.wav ( 7.83MB ) This post has been edited by SirJamsalot: May 19 2010, 06:29 AM -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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May 7 2010, 09:00 PM |
A fine idea I"ll put my "Special Sauce" on it and repost. After trying just about every amp modeler and modeling plugin, I finally found AMPLITUDE METAL, as I mentioned. So far the only modeling plugin designed specifically for metal. On a related note, there is now an AMP MODELER for the iPhone. Who would have thought? From the same guys that make Amplitude Metal.
IPHONE GUITAR MODELING |
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May 7 2010, 10:07 PM |
A fine idea I"ll put my "Special Sauce" on it and repost. After trying just about every amp modeler and modeling plugin, I finally found AMPLITUDE METAL, as I mentioned. So far the only modeling plugin designed specifically for metal. On a related note, there is now an AMP MODELER for the iPhone. Who would have thought? From the same guys that make Amplitude Metal. IPHONE GUITAR MODELING Amplitude Metal is not the only modelling plug-in designed for metal. Softube Metal Amp Room is another great plug-in as well I'll repost the unprocessed files with Metal Amp Room if you want. Sometime tomorrow |
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May 7 2010, 10:59 PM |
Yes, I want! = This thread is for Metal tones and I'm hoping to generate some good information with samples in this thread for everyone to benefit from. If you can include your effects chain - and any non-copyrighted settings that would be ideal I'll be posting my own experiments as well (I would have already except I wrote this from work so I gotta wait til I get home).
Thanks guys, Christian A. Amplitude Metal is not the only modelling plug-in designed for metal.
Softube Metal Amp Room is another great plug-in as well I'll repost the unprocessed files with Metal Amp Room if you want. Sometime tomorrow -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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May 7 2010, 11:42 PM |
Amplitude Metal is not the only modelling plug-in designed for metal. Softube Metal Amp Room is another great plug-in as well I'll repost the unprocessed files with Metal Amp Room if you want. Sometime tomorrow I will add Peavey Revalver Mkiii as an option as well, it seems to be able to produce some real nasty metal-tones. Also Overloud TH1 are target to metal, but consumes a LOT of raw computer power (eg. RAM). //Staffay -------------------- Guitars: Ibanez AM-200, Ibanez GB-10, Fender Stratocaster Classic Player, Warmouth Custom Built, Suhr Classic Strat, Gibson Les Paul Standard 2003, Ibanez steel-string Amps: Fender Hot Rod Deluxe, Marshall JMP 2103, AER 60 Effects: BOSS DD-20, Danelectro Trans. Overdrive, TC-Electronics G-Major, Dunlop Wah-wah, Original SansAmp, BOSS DD-2 Music by Staffy can be found at: Staffay at MySpace |
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May 8 2010, 04:32 AM |
This was about 5mins work in Guitar Rig 4 using only presets and not adjusting any settings - and that's the second time I've opened GR4, so pardon the mixing. It does seem to me that GR4 has some real potential if one were to spend time with it. [attachment=20822:thrash_test.mp3] Very Nice and Tight playing there too mate .. Which preset is that in GR4? -------------------- "If the need is deep, you WILL find a way , if it isn't, you'll find some excuse"
Check out my Student Instructor Lesson on Metal Riffing HERE Visit My Youtube Channel |
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May 8 2010, 04:44 AM |
The playing was the files SirJam linked to. I just put them through GR4. Presets:- Lead left: Puppetmaster Lead right: YNGW Rhy Left: Dual Ultra Rhy Right: Dual Riff Then a touch of Sonic maximizer globally to give some more bight. Beyond that, nothing else. Cool Thanks. I'm only use GR now but it's time to get version 4 -------------------- "If the need is deep, you WILL find a way , if it isn't, you'll find some excuse"
Check out my Student Instructor Lesson on Metal Riffing HERE Visit My Youtube Channel |
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May 8 2010, 08:02 AM |
I meant to say the only plugin from AMPLITUDE designed specifically for metal. Other vendors make their own. Some guys prefer the Peavey plugin, it varies widely. My point here is that I prefer the Amplitude Metal plugin. Having tried most every plugin available, It just sounds better than most. But again, hearing is subjective so it's important to try things for yourself.
GETTING GOOD METAL AMP TONE: If you decide to use an amp/speaker/cab what have you, and a mic instead of going direct. I can share with you some tips and tricks that I used to get a good chunky/crunchy tone. Again, THIS IS NOT FOR EVERYONE AND SOME WILL FIND IT CRAZY. I play a 7 string Ibanez with a low B and it's very deep. I found guitar speakers just didn't have enough bottom end for me. Even cabs from KRANK, MARSHAL, etc. All seemed to be tuned to bottom out around the range of a standard six string E frequency. So I picked up a trick from some Death/Grind players and tried a bass guitar cabinet with a 15 inch driver. BINGO! Deep thick tone. I did have to EQ some mid back in though. Eventually, I found a fairly cheap combo Bass amp (Crate brand no less) with an onboard E.Q. I only use it for amplification and speaker color. All processing is done either in software or by my GNX3. Once the tone is dialed up, I use a fairly cheap Condenser microphone (MXL brand) set off axis, six inches back and tilted up slightly and turned in a little. I've spend countless hours moving mics around cabinets and speakers and found this somehow yields the best results for semi close mic work. If you jam a condenser mic in the middle of the cone, it can frap, and just sound kinda crappy. By setting it back and off axis, you allow the condenser some breathing room and pick up more color from the speaker which is kind of the point of not going direct. The good news is, this setup is not expensive. Amp was about $300, mic was about $75. And yields great tone. To get similar tone in the traditional way, you may end up needing a Mesa Head/Cab/rack compressor, eq, etc. Which costs thousands. I've tried it that way and it can be done. But as I headed toward doing more and more "In the box" (using software and modeling) I found I was using my cabs/heads/rack less and less Eventually I sold most of it and bought more software, guitars, computers etc. Here is a pic of the amp/mic setup. Some gear I bought after selling off my amps/heads/cabs and going for this new approach. Amplitude Metal is not the only modelling plug-in designed for metal.
Softube Metal Amp Room is another great plug-in as well I'll repost the unprocessed files with Metal Amp Room if you want. Sometime tomorrow This post has been edited by Todd Simpson: May 8 2010, 08:19 AM |
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May 8 2010, 12:10 PM |
Here are the results with some of the plug-ins that I've been playing with lately:
All bass files put through Waves plugin called RBass Waves GTR 3 (probably my favourite atm) Rhythm Left: "Crunch" amp; 4x12 Standard; Dyn57 - on axis Rhythm Right: "Monster" amp; 4x12 Standard; Dyn57 off axis Lead Left: "Shredder" amp; 2x12 OpenBack; Dyn409 - on axis Lead Right: "Scorch" amp; 2x12 ClosedBacl; Dyn409 - off axis GTR.wav ( 4.67MB ) Number of downloads: 1367 Aradaz amp Rhythm Left: Aradaz Green Rhythm Right: Aradaz White Lead: Sumulanalog Marshall JCM + Simulanalog Univox Uni-Vibe Aradaz.wav ( 5.7MB ) Number of downloads: 387 Amplitude 2 Using all presets in Heavy Metal style folder: Rhythm Left: "Dualamp powerrhythm" Rhythm Right: "Dualamp pwrchrds" Lead: "Solo" Amplitude.wav ( 4.57MB ) Number of downloads: 433 |
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May 12 2010, 06:59 AM |
We're getting a nice little collection here. It's pretty cool opening each one in a separate player so they're all available and testing each one side by side. They all sound really good, to me anyways and I'm wondering if that's the magic of double-tracking working, because I've tried these plugins direct thru my system on my geetar, and I can't get nearly the same amount of tight crunch playing direct - but double tracking then listening and whala. trip.
-------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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May 12 2010, 01:37 PM |
Yeh, doubling fattens the sound, gives it more kick, and if you get two complementary sounds, a really nice overall tone can come through.
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May 13 2010, 11:49 PM |
All work and no play makes Jack a dull boy => ReValver MKIII + couple of more tricks
-------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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May 14 2010, 12:10 AM |
All work and no play makes Jack a dull boy => ReValver MKIII + couple of more tricks wow. this is good tone - very punchy. -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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May 14 2010, 01:19 AM |
wow. this is good tone - very punchy. Punchy is my middle name -------------------- - Ivan's Video Chat Lesson Notes HERE
- Check out my GMC Profile and Lessons - (Please subscribe to my) YouTube Official Channel - Let's be connected through ! Facebook! :) |
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May 14 2010, 05:58 PM |
Here is a screen cap of the preset I used in amplitude metal. Todd, thanks for the recap on the settings! Great info, and yeah - we need to get you an IK Multimedia T-shirt, with your mug on it! Todd, thanks for the recap on the settings! Great info, and yeah - we need to get you an IK Multimedia T-shirt, with your mug on it! and if forgot to ask - have you tried sitting one of these in your plugin chain? I was playing with it and it has a pretty good warming/widening effect to the crunch. http://www.bteaudio.com/software/TSS/TSS.html -------------------- The more I practice, the more I wish I had time to practice!
My Band Forum: http://passionfly.site/chat |
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