Monkeydathos' Road To Awesomeness |
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Nope didn't think so either. We all know parents don't get this.
I can show you how to be the virtuoso your folks could only dream about, but I first need your help:
* Pm me and I will show you where to start. I am online every day and I will help you out directly!
* Join my mentoring program. I will customize your learning experience in a way you haven't experienced before. We will have regular contact so that you can remain inspired every day and eventually reach a new level.
* Join my next video chat! GMC startpage holds a video chat schedule. We always cover a lot of ground and have fun. Remember that you don't need any previous knowledge, and you can be passive in the chat.
* Jam with me - you will find active collabs here.
* Post a topic on this board, guitar related or not - doesn't matter! You will find that chatting with instructors boosts your motivation to practice.
* You haven't missed my latest video lessons, have you?
* Oh and did you know that to become a killer guitarist you just need to focus on one thing? Everything
else is secondary. Pm me and I will explain.
Monkeydathos' Road To Awesomeness |
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Oct 2 2012, 10:18 PM |
Some little new update regarding the Ben's Lesson
https://www.guitarmasterclass.net/ls/Picking-Arpeggios/ even though, it centers the point in the right hand, i am actually using it for my left hand, due to the chords shapes changing and stretch's ones. i have yet to manage to play the F#add9 100%..it's like around 60%-80% plus 10000% of tension . Thing is, i actually noticed some improvement in certain zones that use to frustated me, well they still do. stuff like -1 -1 -1 -3 -x -x that second 1 was always a bit meh and not sounding properly, and i've manage to get some that sound good today !, just happy about it. -------------------- QUOTE It's a proven fact that guitar faces have a bigger impact on tone than wood does. |
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Oct 7 2012, 02:47 PM |
Ahh! That one I just had a debate today with a friend on that. Well, you need to use the shape where you bar with your ring finger, because at some point you will be using the little finger to get that 13th note
All you have to aim for, is barring with the ring finger and crouching the index enough so that it won't choke the string fingered by the middle finger It's really not that difficult Have you checked this out? https://www.guitarmasterclass.net/guitar_fo...showtopic=46307 You should be a master now This post has been edited by Cosmin Lupu: Oct 7 2012, 02:47 PM |
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Oct 7 2012, 03:07 PM |
Ahh! That one I just had a debate today with a friend on that. Well, you need to use the shape where you bar with your ring finger, because at some point you will be using the little finger to get that 13th note All you have to aim for, is barring with the ring finger and crouching the index enough so that it won't choke the string fingered by the middle finger It's really not that difficult Have you checked this out? https://www.guitarmasterclass.net/guitar_fo...showtopic=46307 You should be a master now oh snap, i did it , still need to spend like 5 sec tellin my fingers to stay still! but i see progress, ty. man, you don't know how many collabs..i have sadly miss, i really don't have anything to make a decent recording sound This post has been edited by MonkeyDAthos: Oct 7 2012, 03:07 PM -------------------- QUOTE It's a proven fact that guitar faces have a bigger impact on tone than wood does. |
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