Marek "gorim" Thread, Uploads and Discussion |
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Marek "gorim" Thread, Uploads and Discussion |
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Mar 3 2009, 08:16 PM |
Monte, will do my best:)
Dan: well in fact my theory is so bad that I don't know what I know What I know is that there are 12 notes: A A# B C C# D D# E F F# G G# So with the formula for for example the pentatonic scale, or major scale, I can say what notes are in the scale.. I know that the major triad is made of the first, third and fifth note in the certain scale, and that the minor triad is made of the first, flattened third and fifth note in the scale. I know that Major Scale will have the notes that Major Pentatonic scale has. And suspect that the Minor Scale will have the notes of Minor Pentatonic scale also ( can be wrong.. ). I do not understand the whole concept of the major scale and it modes... In pentatonic scale I had 5 boxes of the same scale, without any "moods". Now I have a scale, and each part/box of it has different subname/mood and I don't understand that. Are there different formulas of different modes? I expect not, because it "is" the same scale after all.. Really confusing... I can read Andrew theory lessons to understand it... Here is the link to the "where to start" thread, maybe You could give me the numbers of lessons I should read, I know the more the better, but keeping things basic at one moment would help me, as now I just have so much new material before me, that I am bit lost:/ Many thanks in advance for You dedicating Your time for me.. |
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Mar 3 2009, 08:34 PM
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Monte, will do my best:) Dan: well in fact my theory is so bad that I don't know what I know What I know is that there are 12 notes: A A# B C C# D D# E F F# G G# So with the formula for for example the pentatonic scale, or major scale, I can say what notes are in the scale.. I know that the major triad is made of the first, third and fifth note in the certain scale, and that the minor triad is made of the first, flattened third and fifth note in the scale. I know that Major Scale will have the notes that Major Pentatonic scale has. And suspect that the Minor Scale will have the notes of Minor Pentatonic scale also ( can be wrong.. ). I do not understand the whole concept of the major scale and it modes... In pentatonic scale I had 5 boxes of the same scale, without any "moods". Now I have a scale, and each part/box of it has different subname/mood and I don't understand that. Are there different formulas of different modes? I expect not, because it "is" the same scale after all.. Really confusing... I can read Andrew theory lessons to understand it... Here is the link to the "where to start" thread, maybe You could give me the numbers of lessons I should read, I know the more the better, but keeping things basic at one moment would help me, as now I just have so much new material before me, that I am bit lost:/ Many thanks in advance for You dedicating Your time for me.. Welcome to hell Dan!!! Just kidding Marek. Dan will get you squared away and I'll keep checking in and clarify if Dan needs help. You aren't that far behind you just need a little clarification on a few points. All you Dan..... |
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Mar 4 2009, 03:54 PM |
Ok.
So in order to get or chords on the GMajor scale we use somethin called stacking thirds. So we have,.,. The formula for the major scale: 2 2 1 2 2 2 1 We have: G A B C D E F# G So count every third.. Our chords for GMajor is... G B D Cmajor is.. C D E F G A B C Our chords here would be.. C E G Does this make sense? WE use modes to get different feelings and are good for improvisation. Read Andrew's lesson here. https://www.guitarmasterclass.net/guitar_fo...?showtopic=5012 After you good here we will go into leaning how to find what you need for modes. This post has been edited by opeth.db: Mar 4 2009, 03:55 PM -------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Mitchell Acoustic Custom Ibanez S series (Currently working on) X2 XDS95 Digital Wireless system Line 6 MKII 8 Channel USB Roland Mixer My Site www.shredwork.com Learn how to count. It's what separates the hack and the pros IMHO. -LCSDDS |
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Mar 6 2009, 05:33 PM |
Where'd you go Marek?
I posted a prefretting video for you. https://www.guitarmasterclass.net/guitar_fo...showtopic=25322 Let me know how you are doing... -------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Mitchell Acoustic Custom Ibanez S series (Currently working on) X2 XDS95 Digital Wireless system Line 6 MKII 8 Channel USB Roland Mixer My Site www.shredwork.com Learn how to count. It's what separates the hack and the pros IMHO. -LCSDDS |
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Mar 6 2009, 11:08 PM |
First of all, I am very grateful for You making the video! I think that I actually knew it already, but didn't do it all the time, and I haven't put enough attention to it, now I will certainly look after that. Don't know how could I help You in anything "in exchange", but if there would be a way, than tell me:)
When it comes to "stacking thirds". I understand how You did it, but I am unsure why is it so? Considering we would be limited to one scale, would we be limited to the three chords that we have thanks to "stacking thirds" thing? I read this lesson few days ago lesson and from what I understood we could use chord based on any note that the scale consisted... PS: excuses: I was quite busy last days, and also practiced playing quite heavily:) This post has been edited by Marek Rojewski: Mar 6 2009, 11:09 PM |
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Mar 9 2009, 03:30 PM |
First of all, I am very grateful for You making the video! I think that I actually knew it already, but didn't do it all the time, and I haven't put enough attention to it, now I will certainly look after that. Don't know how could I help You in anything "in exchange", but if there would be a way, than tell me:) When it comes to "stacking thirds". I understand how You did it, but I am unsure why is it so? Considering we would be limited to one scale, would we be limited to the three chords that we have thanks to "stacking thirds" thing? I read this lesson few days ago lesson and from what I understood we could use chord based on any note that the scale consisted... PS: excuses: I was quite busy last days, and also practiced playing quite heavily:) Stacking thirds is just the way it is and how we find our chords. Ok. Let me know when your ready to go over modes. Are you comfortable enough to do so? -------------------- My Gear
Ibanez RG570 Silver Jackson Ofset V Randy Rhodes Signature Mitchell Acoustic Custom Ibanez S series (Currently working on) X2 XDS95 Digital Wireless system Line 6 MKII 8 Channel USB Roland Mixer My Site www.shredwork.com Learn how to count. It's what separates the hack and the pros IMHO. -LCSDDS |
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Mar 9 2009, 09:22 PM |
I just want to say I uploaded my take on the Phrygian lesson here. I haven't practiced to much, because I found it easier than the lydian one, so the mistakes come more from lack of stable muscle memory of all the licks, than technique difficulty. Anyway I was in "maybe record something" mood. Don't know if uploading something You haven't learned 100% by heart is a good idea, but maybe it is?
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Mar 9 2009, 09:30 PM
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I just want to say I uploaded my take on the Phrygian lesson here. I haven't practiced to much, because I found it easier than the lydian one, so the mistakes come more from lack of stable muscle memory of all the licks, than technique difficulty. Anyway I was in "maybe record something" mood. Don't know if uploading something You haven't learned 100% by heart is a good idea, but maybe it is? It looked good Marek. I still think you can benefit from Kaz-box work here though. The arpeggios at the end could be cleaned up. Timing sound pretty good though. You need to really watch what Muris's hand is doing when he bends. Notice how he use his first and second finger to help his 3rd finger when he is bending. Still looks like you are bending with one finger to me. I think you should stick with both these lessons for awhile and just perfect them a little. Very good job though. I'll post a little later to make sure that you and I are on the same page as far as where you are with the MTP assignments. Good job! |
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