miles davis, scott henderson, jeff beck, steve lukather, mike stern, phrasing, legato, solo, jazz, fusion, solo , Robben Fordby Guido Bungenstock
Scrubbing / forward / rewind: arrow right, arrow left keys Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player) Go to next part: PageUP or End. ( iOS: swipe right or left over video ) Volume: ArrowUp / ArrowDown keys Go to any part: Number keys (combinations also possible) Pause or play: `k` or space key Fullscreen: `f`, esc to close
In my new lesson we take a look at a blues influenced Solo over a 16th Shuffle. One of the most important things here, is that you have to shuffle (mostly) all 16th notes to get a relaxed swing feeling, this type of style is also called half-time shuffle. One of the popular example of a half-time shuffle is the drum groove of Toto's "Rosanna", played by the great Jeff Porcaro. Also the great drummer Bernard Purdie (Steely Dan) is known for his excellent 16th Shuffle. You can find this swinging groove in a lot of Fusion, Soul, Pop & motown songs too.
My Solo has a lot of typical Blues licks inspired by Larry Carlton, Robben Ford, B.B. King and lots of others. But to spice it up a bit more I used some Major/Minor pentatonic, some chromatics, also the Half tone/whole tone scale, a lot of bending techniques a bit of tapping. Also beginners will have fun with the easy chord progression because it makes a lot of fun to jam with it!
Let's go through the chords:
CMaj7 Am7|Dm79 F/G|
Note: Sometimes I substituted the Am7 for A7b9#5 , A7b913 , A7b513 and the F/G for G7b913 to get a more fusion touch!
It's a really common progression (I VI II V) found in 1000s of songs in all kind of styles. I suggest to practice this in all keys to get used to it.
This lesson is good example how easy blues licks can perfectly fit to any music style. I also used the typical question and answer phrasing technique (found in almost every blues song!). You'll see how easy it can be to play over a progression just by using only a handful of licks and by changing some articulation, the dynamics, the rhythm, some "little" notes etc.
Don't forget to swing your guitar here, make it alive, tell a story! Also try to sing with your guitar, this way you find a better connection with your instrument. I tried to transcribe as close as possible. Specially in the Guitar Pro 5 you'll find all this little extras!
Have fun with it! Cheers - Guido
Guitar: Music Man Luke II
Strings: D'Addario EXL 120
Amp: Peavey JSX Top with Marshall 4x12" V30
Effects: T.c. electronic G-Major
Sound-deflection system by DEEFLEXX
Mics: Shure SM57
Audio Interface: Focusrite Saffire PRO 24
Recording SW: Logic 9, several plugins
Standard tuning: E, A, D, G, B, E
Tempo: 90 BPM
Login to use my notes. No GMC account? Register here.