Let's apply Mixolydian triads to blues rhythm guitar.

A fresh chord progression using the spread triads concept.

I harmonize any note of the arpeggio with triads, including the seventh of the chord.

Today we continue with the work of harmonizing the modes with triads.

This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.

My go-to techniques for creative arpeggio phrasing

Scale and arpeggio etude in the style of Agustin Barrios by Mariano Fraga.

Let's look at different approaches to arpeggios.

This theme presents an intro of arpeggios and after that licks with a distorted tone.