We go through 4 chord inversion on 4 adjacent treble strings, 4 adjacent middle strings and 4 adjacent bass strings. These inversion are all the dominant voicings that you`ll be needing in order to make some great funk riffs or vamps.

A chord sequence of twelve bars: VI, II, V I

This mode is composed by the root, minor second, minor third, major third, just fourth, just fifth, minor sixth and minor seventh.

We continue working with the modes harmonized with triads.

The first lesson of a series of four that show how many different scales we can play over a dominant chord.

Let's apply Mixolydian triads to blues rhythm guitar.

Outside phrases using the Phrygian dominant scale for jazzy fusion vibes

Learn how to play most commonly used 7th chords (Dominant 7 chords) such as A7, E7, D7 and others.

The Lydian Dominant scale is a great way to sound a bit different on a Dominant 7th chord. These licks should get you started on this great scale!