Nemanja Filipovic18th September 2008great lesson mate,and well played.
Kuba Szafran18th September 2008Lots of cool jazzy licks, thanks
.
Muris Varajic18th September 2008Sounds nice!
Eat-Sleep-andJam18th September 2008Sounds Great
Loved that first lick !
Emir Hot18th September 2008this is very nice
Marcus Siepen18th September 2008cool lesson, very jazzy
Jad Diab18th September 2008so Jazzy, I like it a lot, it sounds really good with that walkin' bass, great job
Nazgul18th September 2008Jazzy Chill-Out.
Great one!
Bogdan Radovic18th September 2008Excellent lesson ! Really good ideas in there !
Toni Suominen18th September 2008Really interesting, thanks!
Ramiro Delforte18th September 2008Thanx guys
Mark.18th September 2008Awsome! I really begin to like this shreddy jazzy stuff
Pedja Simovic18th September 2008Love the Martino like run in this one!
Ivan Milenkovic18th September 2008Cool jazzy lesson mate, Very nice
sigma718th September 2008whoa the beginning just freaked me out haha very chill tone and cool melody haha very nice
Hisham Al-Sanea18th September 2008nice feelings Ramiro
Gerardo Siere18th September 2008Nice lesson.
Sergio Dorado19th September 2008Cool jazzy lesson!
Alexiaden931st May 2009Smooth playing, Ramiro !
- Ramiro Delforte2nd May 2009
Thanx mate!
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Tastes of Harmonic...
Django Reinhardt, Django, gypsy jazz, jazz, harmonic major, theory, synthetic scalesby Chris Harrington - Difficulty3
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Pentatonic Shred Licks
Pentatonic minor, Chromitic notes, Passing notes, Shred, Metal, Alternate Pickingby Gabriel Leopardi - Difficulty2
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Jump to start: Home or `s` , you can also click/tap the lesson part again (the numbers above player)
Go to next part: PageUP or End. ( iOS: swipe right or left over video )
Volume: ArrowUp / ArrowDown keys
Go to any part: Number keys (combinations also possible)
Pause or play: `k` or space key
Fullscreen: `f`, esc to close
- Lesson
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In this lesson we explore a common resource: the approximation notes. There are two kinds of approximation and they are both chromatic, the approach above and the approach below the note that is considered the melody. The improvisation is over Eb major and we use only this major scale.
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