How To Record |
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How To Record |
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Jul 20 2012, 11:38 AM |
The easiest way to record is getting a cheap POD, or similar device.
They are like external sound cards which use USB to obtain great sound with no latency. They also come packed with modelling software (amps) and effects. Then you'll also need a different program to actually record what you hear, like Reaper, which is free to try. -------------------- Guitars:
Fender American Deluxe Stratocaster, Ibanez RG2570MZ, Epiphone SG G-400 Amp: Vox AC4TVH head + V112TV cab Effects: Vox Satchurator, Vox Time Machine, Dunlop CryBaby, Boss MT-2, Boss CE-5, Boss TU-2, Boss ME-70 Recording: Line-6 POD X3 + FBV-Express, Pandora PX5D GMC wants YOU to take part in our Guitar-Wikipedia! Have a good time reading great articles and writing your own with us in our GUITAR WIKI! Share your playing and get Pro-advice from our Instructors: Join REC |
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Jul 20 2012, 12:45 PM |
I CAN HELP! (first off yeah the starter scarlett has two preamps just like the big guy so go swap it out!)
Quick Tip! 1.) THE GUITAR EMULATIONS IN GUITAR RIG ARE LAME! That covers it. Now go and get a real emulator, even a demo, like oh say, OVERLOUD or GUITAR RIG or AMPLITUDE FREE. I tried for weeks to get good distortion / tone out of the Garage band amps and it's hopeless. Clean sounds are ok, dirty are just awful. I've started several threads for sharing various patches in my forum so give them a shot! https://www.guitarmasterclass.net/guitar_fo...p?showforum=203 So 1.)Open Garage Band 2.)Select the input from your interface/and plug phones in to phones out of interface. 3.)Select REAL INSTRUMENT for the track NOT GUITAR (bypass the crap amps in GB) 4.)Apply a proper plugin like AMPLITUDE FREE And BINGO! Now add other tracks, drums loops, etc. Your recording! Todd Hi guys So yesterday I bought myself the Focusrite scarlett 18i6. And today I realized I have NO IDEA what I'm doing. It took me 2 hours just to figure out how to make it work with garageband! So currently this is what I do.
1 Plug my guitar direct into my interface ( because I haven't bought a mic yet ) 2 Open up garageband and record . And thats it. I am quite dissapointted with the tone I am getting . I am hoping that will change once I get a mic and mic my amp. but all in all I am wondering if I am in a little over my head. Something tells me I should be getting more out of my interface. So I am debating exchanging it ( if the store will let me ) for an interface with less bells and whistles seeing as I dont even know how to use them. I was thinking like maybe either the M-Audio MOBILE PRE MKII or The focusrite Scarlett 2i2. My goals are to be able to record for the GMC REC program, Post Youtube covers And do some singing and write some songs so I would need some sort of software that does drum, and bass lines. So if you guys dont mind would you please take the time to tell me how your record with all the steps included, and what software you guys use. Thanks This post has been edited by Todd Simpson: Jul 20 2012, 12:55 PM |
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Jul 20 2012, 03:15 PM |
The easiest way to record is getting a cheap POD, or similar device. They are like external sound cards which use USB to obtain great sound with no latency. They also come packed with modelling software (amps) and effects. Then you'll also need a different program to actually record what you hear, like Reaper, which is free to try. This. If you are at all unsure about how to get started setting up a rig to record guitar, follow this advice and get something like a Line6 Pod. This is flexible, inexpensive and simple. Other options, like using a software amp emulator or micing an amp have their advantages, but are more complex, so it's probably best not to start with those. It will be easy enough later to switch to a software amp, after you get your feet wet, if you'd like to use Todd's excellent patches. -------------------- Cyber-industrial music and video animations:
https://vimeo.com/channels/thedignitymachine https://vimeo.com/channels/somewheretohide Facebook: https://www.facebook.com/RodrigoSpacecraft |
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Jul 20 2012, 03:24 PM |
Just to add...
It's worth time getting the recording as best as you can. Don't assume that you can correct recording issues at mixing etc. With the recording make sure you leave enough room below digital zero so that you do not clip and to also let you add any additional tracks/instruments etc and also effects/dynamics processing. With regard to clipping - most daws and prosumer adcs don't show clipping particularly well - you can clip without the red clip light coming on. Because of this it is good practice to peak at about -12 to -6 dB and not come close to 0dBFS. You can always brng the level up when the stereo track's ready for mastering. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Jul 20 2012, 04:06 PM |
.... So then I would just plug directly into the floor pod and use the effects on the floor pod, and just record that ? ... You can but if you use effects and dynamic processors whilst recording they will be very diifficult to remove/alter at a later stage. In most situations you would be better of recording dry and adding effects etc later. -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Jul 21 2012, 12:55 PM |
Cool! I didn't know this! I guess I will keep my levels low in Reaper, as my interface can boost perceived volume quite well. Great to hear Brandon . Years ago gain staging - and my post is partly about gain staging- was one of the first things I got taught in a pro studio. Nowadays it's just as important but most people, including some pros, seem unaware of it. You can buy the best mics, preamps and interface that you can afford but if you don't gainstage you're not using it to its best and it can sound worse than cheaper equipment that is properly set up... -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Jul 21 2012, 03:23 PM |
What is Gain staging ? /i have never heard of that before, then again this is the first time I have ever got into recording. In recording etc you need to make good use of the dynamic range of your equipment and that means having as little noise as possible as well as having as a good signal level. Eveything that you add to the input/output chain has the potenital to add noise - preamps, eqs, compressors, limiters, ADC and so on - as you vary the signal between the devices input and output. Analogue gainstaging in basic terms is ensuring that the increase in noise is kept to an absolute minimum whilst achieving suitable level. If you don't gainstage properly then as you increase the signal's level you will not get any signal to noise benefit as all you will do is increase the noise. With digital gainstaging there are also issues to do with ensuring that you do not exceed 0dBFS and so clip the convertors. That may sound simple as your recording device and your DAW have peak meters but the problem is that they are not very accurate and they do not always show clipping. It is perfectly possible to digitally clip with out a peak meter showing it. This is made more complicated as a lot of digital vsts can also internally sum and so add additional, unwanted gain to the input without it being shown on the meter. All of this means that you can clip the output even if your meters show you're set below 0dBFS. To be on the safe side it's often best thus to use a conservative -8dB peak level for the focal track, even adding processing and extra tracks should not pull the level up to more than @-3dB and so leave room for final mastering. If you want to know more about this and other recording/mixing/mastering things Jesse try and take a look at some of the threads I've started. QUOTE One thing I was thinking is one advantge a interface has over a pod is that you would learn how to properly mic an amp which I think would be a very important thing to know how to do. Absolutely. However recording with mics and preamps is more expensive and can also take longer to get to grips with. This post has been edited by tonymiro: Jul 21 2012, 03:25 PM -------------------- Get your music professionally mastered by anl AES registered Mastering Engineer. Contact me for Audio Mastering Services and Advice and visit our website www.miromastering.com
Be friends on facebook with us here. We use professional, mastering grade hardware in our mastering studo. Our hardware includes: Cranesong Avocet II Monitor Controller, Dangerous Music Liasion Insert Hardware Router, ATC SCM Pro Monitors, Lavry Black DA11, Prism Orpheus ADC/DAC, Gyratec Gyraf XIV Parallel Passive Mastering EQ, Great River MAQ 2NV Mastering EQ, Kush Clariphonic Parallel EQ Shelf, Maselec MLA-2 Mastering Compressor, API 2500 Mastering Compressor, Eventide Eclipse Reverb/Echo. |
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Jul 22 2012, 05:13 AM |
I would love to check out your threads where could I find them ?
-------------------- Never miss an opportunity to play
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