Get a taste of how you could work with your guitar volume knob.

High-Gain blues, typical to players like Gary Moore, maybe Satch and even Andy Timmons! So, it's in key of C minor, lots of bends, few double stops, hard picking etc.

Gain understanding for groovy rhythm patterns and explore 4 different styles of funk

In this lesson Muris shows you some of the most common bending techniques: semi tone, whole tone, whole and semi, 2 whole tones, pre-bends etc. The lesson has a blues chord progression and feel to it...

This rock 'n roll solo is a scary mix of artificial harmonics, two-note-per-srting speed picking and double stops. You will often find that over an A5 powerchord it is common to play the note A (also called the root note) or the note E (called the "fifth" - when played over A). This could be described as an arpeggio approach - which simply mean playing the same note as in the backing chord.

How to get extra gain from your hands only, using very little distortion.

Just hit the volume button and gain, and let it roar!

Use alternate picking for mid tempo arpeggios to gain clarity like Vinnie Moore.

Natural Harmonics can be used in a solo to gain better sustain for certain notes,plus you can play some very high notes lower on the neck. Here are some practical examples.