Blues Shuffle Minor/Major 3rd is a lesson on how you can use Pentatonic minor scale combined with Major 3rd note. Every time you play over a Major Chord you can use Major 3rd of the chord while you move over Pentatonic Minor Scale.

Playing a minor pentatonic over a dominant 7 chord is a great way to add a bluesy feel to an improvisation. The tension heard when playing a minor third over the major third of the track is what makes blues so interesting.

Practice playing major arpeggios in a song context and in different positions on the neck.

Major pentatonics are a great way to start expanding your leads. This lesson should put you on the right track to Major leads in no time!

Part 2 of Mixing Major and Minor Boxes in Blues - let us get mixing!

Achieve beautiful Lydian / Maj7 sounds using just the pentatonic scale!

The different positions of C and G major, and a new way of learning the chords!

How to build major and minor chords from the ground up.

Fifth and last lesson in the series, where we will cover positions 5 of the minor and major pentatonic scales. Mixing of these two patterns is very important in blues and other forms of music as well, and it will create a more interesting vibe in your playing when alternating these two patterns/feels.